One of the exhibitions I’m most looking forward to visiting this autumn is London dealer Rob Tufnell’s presentation of the so-called “poster poems” produced by the late Christopher Logue.
//Left: Love, 1962, Marisol. Plaster and glass (Coca-Cola bottle), 6 1/4 x 4 1/8 x 8 1/8″, MoMA. Right: From I Get A Kick Out Of You, David Parkinson, Club International, 1975//
A disturbing David Parkinson image from a mid-70s fashion shoot for British porn magazine Club International puts me in mind of the early 60s sculpture Love by the artist Marisol.
Catch if you can Alistair Sooke’s excellent BBC documentary Pop Go The Women: The Other Story Of Pop Art. Derek Boshier – subject of my next book – is among the interviewees, talking about his contemporary Pauline Boty.
Her work, like the other subjects of the programme, has been neglected in the circumscribed narrative of Pop. In Boshier’s words, Boty is important, not least because she was “an instigator and an enabler” to the male artists who hog the story on both sides of the Atlantic.
The film’s revelation for me is the American Rosalyn Drexler, whose art is identified convincingly by Sooke as “scathing, critical, strong and stern”. Pop Go The Women is available to view on BBC iPlayer for the next five days here.
Derek Boshier: Rethink/Re-Entry is published by Thames & Hudson next spring.
I’m assembling materials for Rethink/Re-Entry, the long-overdue monograph of the great British artist Derek Boshier I am currently editing.
The book takes its title from the early Boshier painting which inspired rock’s ultimate art-directed star Bryan Ferry to choose the name Remake/Remodel for the first track on Roxy Music’s game-changing debut LP.
My recent post about the Mr Freedom designs in the V&A collection sparked some memories from graphic artist Ian Harris, who sends this 1972 photograph of himself in a Mr Freedom hamburger print shirt:
In the 1972 photo, the shirt’s hamburger appliqué is obscured; Harris had worked for Mr Freedom partner Tommy Roberts at his 60s boutique Kleptomania, and gave the late Roberts a number of items relating to his career a few years back. Included was the appliqué which Harris had kept for many years.
As Harris points out, his wife Maggie, a model, is sporting an Angie Bowie-influenced look in the photo above. Here she is in another early 70s shot, taken outside John and Lyris Mann’s Kensington boutique Strictly For The Birds:
Designer Pamla Motown – cherished for her contributions to 70s fashion with a run of sensational designs for Mr Freedom and under her own labels – is back with a new version of her graphic “Artist” T-shirt.
We’ll be talking about Antony’s career in the context of the British art school influence on these areas of popular culture. My visual presentation will also reference the work of others who emerged from the art school system, including design entrepreneur Tommy Roberts – the subject of my new book – and artist/designers John Dove and Molly White.
As a tribute to Roberts, London vintage queen Deborah Woolf is displaying this rare, stunning design from the first version of his and Trevor Myles’ pop art boutique Mr Freedom, at 430 King’s Road: a stars and stripes kimono-style dress.
Pop! Design Culture Fashion is on until October 27. Details here.
This advert for Vince Man’s Shop – the small Soho boutique which sparked the modernisation of menswear design and retailing in the second half of the 20th century – was designed by Gordon Moore for issue 20 of the Royal College Of Art magazine ARK, published in autumn 1957.
Following his appearance on BBC Radio 4’s Midweek this morning, I will be in conversation with Derek Boshier tomorrow evening at Pallant House Gallery, home to the excellent exhibition of examples of the artist’s engagement with music (and in particular his collaborations with David Bowie and The Clash).
Tomorrow I’m participating in the V&A study day on British design in the 60s with a talk about the development of graphics and poster art during the decade.
I’m speaking at 2.30pm – more details here.