//Wild Daughter at the ICA last month. The gold phallus worn by James Jeanette was created by leathermakers Whitaker Malem//
//Still from Wild Daughter’s Mr G, directed by Douglas Hart and styled by Elie Grace Cumming//
I was flattered recently to receive an email from Jacob Shaw, bassist in art-rockers Wild Daughter, about the effect my work has had on certain visual elements of the group and in particular a performance during their recent ICA night The Moon Sextiles The Sun.
//Shirley Collins with hooden horses. Photo: Toby Amies//
“Shirley has a voice that seems to be in touch with the traditions of the past, but also the dark mystery that makes England so weird, wild and mesmerising, and it is these two aspects that I wanted to convey in the video.”
Nick Abrahams, 2016
I’m captivated by the magical film made by Nick Abrahams to accompany the Shirley Collins song Death And The Lady.
//Jah Wobble as a female newsreader in the promo for Merry Go Round//
Love the clip from Jah Wobble for his cracking new song Merry Go Round.
//Still from Long Haired Boy: Diana Crawshaw outside 488 King’s Road, 1969//
Diana Crawshaw – who designed for such boutiques as Mr Freedom and Paradise Garage – has contacted me about an appearance she made in an early pop promo clip: Piers Bedford’s short for the 1968 single Long Haired Boy by American singer-songwriter Tim Rose.
Dave Robinson, one of the British music business’s towering figures, has sent me this lovely pop-reggae tune from Madness man Lee Thompson’s project.
It’s great for this sunny Bank Holiday; Bitty McLean is on top vocal form.
Fair takes me back to seeing Madness in their North London Invaders incarnation support a jazz-rock trio (!) at Camden Town’s Dublin Castle, and before that the graffito ‘Kix’ emblazoned around 70s teenage nexus Golders Green tube station (courtesy of Thompson).
Tonight I am hosting an event at London’s Victoria & Albert Museum: an ‘in conversation’ with Boy George about the importance and influence of popular culture’s greatest manipulator of visual identity, David Bowie.
//George O'Dowd overlooked by Big Brother in his room at a squatted house in Carburton Street, central London, 1978.//
As promonews.tv points out, this is perfect for Carnival weekend (even with this weather). Scenes from Jamaican life in the clip by So Me.
Ever one to blur the boundaries, Bishi Bhattacharya’s new song Albion Voice simultaneously embraces Jubilee year multicultural Britain and the time-honoured English folk tradition just as Matthew Hardem’s video captures this national treasure’s ability to shift between performance art and music performance.
It’s fab – visit Bishi’s site here.
And read about the day I met her with one of Barney Bubbles’ collaborators here.
This is Tightrope by Psychic Life, the new project from Julie Campbell + Jah Wobble with contributions from the latter’s colleague in the first Public Image Ltd line-up, Keith Levene.
Campbell released an album last year as Lonelady.
| Paul Gorman is a writer. This is his blog: art, books, conversation, cults, dancing, design, encounters, environments, events, film, galleries, groups, individuals, invitations, magazines, music, opinions, performance, photography, places, press, privacy, spaces, style, thoughts + views. |
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