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London punk demi-monde Polaroids from Jonathan Ross: The return of Chrissie Hynde + Kate Simon with Tamasin Day-Lewis, Gina Louthan, Ruth Marten, Judy Nylon, Patti Palladin, Jon Savage and…John Betjeman

May 8th, 2013

//All photos (c) Jonathan Ross//

Here are more previously unpublished images from London’s punk demi-monde.

Coincident to receiving Joe Stevens’ photograph of the pre-Pretenders Chrissie Hynde and photographer Kate Simon in Malcolm McLaren’s Sex Pistols Nude Boy shirts, collector/gallerist/Londoner Jonathan Ross supplied me with this fabulous selection of Polaroids taken at his west London house in the same period.

These include Hynde and Simon as well as their fellow Americans-about-town, the performers Judy Nylon and Patti Palladin and artist/tattooist Ruth Marten, writers Tamasin Day-Lewis and Jon Savage, Ross himself, his girlfriendĀ Gina Louthan and Sir John Betjeman.

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Chrissie Hynde + Kate Simon in Malcolm McLaren’s Sex Pistols Naked Boy T-shirts

May 6th, 2013

//Photographer Kate Simon and performer Chrissie Hynde (lifting the front of her mohair jumper from Sex), London, 1976. (c) Joe Stevens//

This photograph – taken by Joe Stevens in early 1976 in Fulham, west London – is featured in the exhibition Just Chaos!, which opens tomorrow (May 7) at Marc Jacobs’ Bleecker Street NYC bookstore BookMarc.

The T-shirts worn by Simon and Hynde were among the first variants of a limited edition designed by Malcolm McLaren to promote the newly formed Sex Pistols. A few were also sold in Sex, the environmental installation/shop operated by McLaren with Vivienne Westwood at 430 King’s Road in World’s End, Chelsea.

“Malcolm dropped the shirts off at my Finborough Road studio; they were freshly silk-screened from a limited edition,” says Stevens, then working for the NME and living with Simon (who was employed by rival music paper Sounds). “Chrissie was living in a squat and cleaning offices for a living. She’d drop by the pad to take showers. I’d hear her singing in there and realised she had a wonderful voice.”

McLaren produced the designs with the express aim of promoting the new group. “This was my first attempt at making a Sex Pistols T-shirt,” he told me in 2006. “I wanted to create something of a stir.”

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Pictures from an exhibition: Glam! The Performance Of Style

Feb 19th, 2013

//Kenny putting on make up, Nan Goldin, Boston, 1973 //

Perhaps it is a matter of displacement – that slippery moment when art becomes commerce, shifting back again into the cultural arena as another kind of commodity. The fact is, even today, few among us are willing to acknowledge that certain mass culture forms and practices may comprise the most significant ‘culture’ of our time, precisely because of their ‘popular’ characteristics.

Marcia Tucker and William Olander, New Museum Of Contemporary Art, 1988.

In the 25 years since Tucker and Olander made this statement, the displacement they sought to define has become, if anything, more slippery.

For this reason alone, Liverpool Tate curator Darren Pih must be applauded for negotiating such tricky waters with Glam! The Performance Of Style, the exhibition he has curated in an attempt to locate the early 70s glam-rock phenomenon in the context not just of a certain area of artistic practice of the period but also more broadly the interplay between “high” and mass culture.

//Fashion spread featuring Mr Freedom and Ossie Clark designs, Nova, May 1970 //

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Photography: Soho Pam by Carla Borel

Jan 23rd, 2013

Regulars on both sides of various Soho bars having been mourning the familiar figure the vast majority of us knew simply as Pam.

This portrait by photographer Carla Borel captures Pam’s charm, sweetness and light. And she’s in her element, outside The French.

Alastair Choat, landlord of The Coach & Horses, is hosting the wake for Pam after the funeral next Wednesday (January 30) from 3pm.

Read the obituary of Soho Pam here; at the time of writing this had been shared online more than 1,000 times within less than 24 hours of posting.

View Borel’s exemplary portfolio here.

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At Johnny Rotten’s pad in Malcolm McLaren’s leather jeans 1978: The story behind the photograph

Jan 4th, 2013

This just in from Joe Stevens, following yesterday’s post about his new website: the story behind the photo with Johnny Rotten above, taken in London in 1978.

We were at his Gunter Grove digs in Fulham. Malcolm (McLaren) had left his grotty leathers in my flat in NYC during the Sid and Nancy murder doings. I had them dry cleaned. Never got the $90 for that one.
He had Glitterbest problems in London. So did Rotten. I was over there to do pictures of Public Image Limited.
He made a nice curry. I crashed there with him and Nora (Forster). Ari (Up, Forster’s daughter) would pop by often.
We watched her and The Slits record Heard It Thru The Grapevine and Chrissie (Hynde) rehearsing with her new Pretenders.
Yeah, he’s holding up his trousers with a strand of white cord.
I was later a witness at the High Court trial involving the band versus Glitterbest.
I tried on Malcolm’s leather trousers. Fell in love. It was a first. Went to London in them. Never took them off. Returned two weeks later to NYC wearing them.
Had them cleaned again. This time they didn’t survive. All I got back was swatches of leather in a bag.

Stevens’ new website is here.

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Recommended: Joe Stevens stars with Johnny Rotten, Andy Warhol et al on his new website

Jan 3rd, 2013

Joe Stevens needs no introduction here. These photographs of our man with Johnny Rotten and Andy Warhol are among the delights awaiting visitors to his newly refreshed website www.joestevens.com.

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70s fashion: Ika in Ossie + Celia by Herb – but whose are the shoes?

Dec 29th, 2012

Herb Schmitz’s lost London demi-monde: City Lights Studio, Yvonne Gold, Katharine Hamnett, Ika Hindley, Piggy, Barbara Trentham, Marrion Womble et al

Nov 2nd, 2012

//Marrion Womble + Barbara Trentham in City Lights Studio clothes, London, 1973.//

Herb Schmitz proudly describes himself as a photojournalist.

From the start of his career in London in the late 60s, the Dusseldorf-born Schmitz has turned an unerring eye to all manner of subject matter: seascapes,Turkish gangsters, the WW2 head of the Polish government in exile, the social scene in latterday Shoreditch (where he has operated a studio for more than 25 years)…

//Ika Hindley models Hamnett bangles, 1973.//

In the wake of a recent exhibition at Amsterdam’s Unseen Photo Fair, Schmitz has opened his archive of early 70s fashion photography for me, revealing images of a lost London demi-monde clad by such hallowed enterprises as City Lights Studio (the Covent Garden boutique operated by the subject of my latest book, Tommy Roberts) and Katherine Hamnett’s label Tuttabankem.

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Penguins in The Guardian

Oct 31st, 2012

The Random House/Penguin takeover prompted a visit from photographer Sarah Lee to shoot my collection of Penguin books for illustrative material for The Guardian.

One of her shots has already been used – a set of early 70s Raymond Chandlers with James Tormey jackets.

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Photography: Baron Wolman + The Groupies

Oct 18th, 2012

//Trixie Merkin, 1968. Photo: Baron Wolman.//

My appreciation for the visual culture surrounding popular music was given a leg-up at an early age by a Christmas 1973 gift: Rolling Stone‘s photography compendium Shooting Stars.

Edited by Annie Leibovitz, Shooting Stars lined up a number of the magazine’s photographic contributors who had recorded the American rock music scene in its pomp.

//Front cover, Shooting Stars, Straight Arrow Books, 1973.//

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