Paul Gorman is…

Special limited edition postcard: Rare 1972 portrait of Malcolm McLaren inside Let It Rock

Dec 14th, 2020

//The postcard, which measures 230 x 150mm (6 x 9in), is printed in a numbered limited edition of 150//

“Fashion seemed to be the place where music and art came together. Creating my own clothes was like jumping into the musical end of painting. The shop became a natural extension of my studio.”
Malcolm McLaren. The Look, 2001.

Featuring a rare portrait of Malcolm McLaren displaying his wares inside the recently opened Let It Rock in January 1972, this limited edition large-size postcard is a companion to my biography of the man published earlier this year.

The photograph on the front of the card was taken by the late David Parkinson, who documented the refurb of  the premises at 430 King’s Road carried out by McLaren and his art school friend Patrick Casey; the address had previously housed Trevor Myles’ Americana boutique Paradise Garage.

//The postcard arrives clad in black, McLaren’s favourite anti-colour. “Black expressed the denunciation of the frill,” he wrote in the introduction to my book The Look//

The card shows McLaren revealing the detail on a flamboyant drape jacket made to his design by the East End tailor Sid Green, while he is surrounded by the accessories and ephemera which constituted Let It Rock’s environmental installation. Against the black walls, Day-glo socks from Whitechapel wholesaler Kornbluth vie with Frederick Starke red rockabilly shirts, Sun Records 45s, French rocksploitation movie posters and deadstock clothing.

It makes for a beguiling image: the 25-year-old – then still legally Malcolm Edwards – is caught making the leap from art school to fashion retailing by, as he later described it, “jumping into the musical end of painting”.

Limited edition numbered postcard hand-numbered and printed 4/1 col. offset on 350gsm single sided board stock, trimmed to size.

Printing: Something Else.

Price: £12.50 each or £20 for 2. P+P: £5 UK, £10 rest of the world. All postage with tracking and/or signature.

Payment via PayPal to this address.

I’m happy to sign cards on request.

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When David Bowie + Malcolm McLaren simultaneously seeded the 70s by appearing in the same issue of underground paper IT

Jul 31st, 2020

//Box advert for the Beckenham Arts Lab run by David Bowie and Mary Finnigan in IT #59, July 1969//

//News story about the Goldsmiths Arts Festival organised by Malcolm Edwards and his fellow student Niall Martin in IT #59//

Researching my archive during lockdown for a project has given me the opportunity to thoroughly assess individual publications, none more so than the 59th issue of underground paper IT, which hit the streets in early July 1969.

This particular edition features a couple of small items which provide clues as to the countercultural activities at the time of two Londoners who would go on to define pop culture in the 1970s: David Bowie and Malcolm McLaren.

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Rock’s Back Pages x 3: Guest on the podcast, McLaren bio extract about David Harrison’s tryout as Sex Pistols frontman and archival pieces by me on the Spice Girls (1996) and US alternative zines (1994)

Apr 14th, 2020

//In conversation with (from top left) RBP’s Mark Pringle, Jasper Murison-Bowie and Barney Hoskyns//

I’m the featured guest on this week’s podcast from the world’s premier music journalism site rocksbackpages.com.

I go way back with RBP founder and author Barney Hoskyns; he commissioned pieces from me when he was Mojo editor in the early 90s and we launched my music press book In Their Own Write, RBP and photographer Jill Furmanovsky’s rockarchive.com on the same night at a Shoreditch gallery nearly 20 years ago.

I had fun talking to Barney and his confreres Mark Pringle and Jasper Murison-Bowie. The chat ranged from my background in trade journalism to, of course, the new Malcolm McLaren biography. Listen to the podcast here.

//David Harrison in customised Sex t-shirt, 1975//

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We dressed up to mess up: Virtual book launch of the Malcolm McLaren biography

Apr 8th, 2020

//Clockwise from top left: @vieux.wave, @pippabrooks, @luxoramor, Nick Vivian, @ladyacss, @chrissalewicz//

//Clockwise from top left: @belmaczmayfair, mr + mrs @adamskiofficial, @joebrookks, @pippabrooks, @ourmanincairo, @mrsgorman//

We have to take our pleasures where we can during these grim times, and last night’s virtual book launch of my Malcolm McLaren biography provided a much-needed tonic.

The plan was to celebrate the publication with a party at the library bar of London’s hotel The Standard, with a relaxed congregation of friends and contributors and DJ sets by Pippa Brooks and Pam Hogg.

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‘Excellent… exhaustive… never dull’: First reviews of The Life & Times of Malcolm McLaren

Apr 5th, 2020

“With this book, Gorman convincingly moves away from the ossified image of McLaren as a great rock’n’roll swindler, a morally bankrupt punk Mephistopheles, and closer towards his art-school roots, his love of ideas”
Victoria Segal reviewing The Life & Times of Malcolm McLaren in the Sunday Times, April 5, 202

The first reviews of my Malcolm McLaren biography are carried today by Britain’s Sunday Times Culture section and in The New Review magazine of it’s broadsheet rival The Observer.

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‘Masterful and painstaking’: The Life & Times of Malcolm McLaren will be published on April 9

Mar 20th, 2020

“Within the slippery divides between disciplines and media – fashion, art, music, interiors, commerce – one finds Malcolm McLaren, roaming and creating.”
Lou Stoppard in her essay in The Life & Times Of Malcolm McLaren

Disruption to the publication of a book is extremely small beer at a time when the COVID-19 pandemic has set the world in disarray, so I’m sanguine about the postponement of several events and signings which were due to occur around the publication of my biography The Life & Times Of Malcolm McLaren.

//The back of the book jacket features this 1976 portrait by photographer Joe Stevens//

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‘What goes into a Continental Keyhole?’ How Malcolm McLaren conjured the name ‘Kutie Jones and his Sex Pistols’ from the seamy 50s and 60s Britporn mags strewn around 430 King’s Road

Feb 10th, 2020

In October 1974 Malcolm McLaren conjured an unusual group name for four young musicians who congregated at his shop at 430 King’s Road.

//The group name as it appeared on the ‘right’ side of the You’re Gonna Wake Up t-shirt//

At the time the transition from the premises’ previous incarnation as Too Fast To Live Too Young To Die to Sex was nearing completion; in fact the teenagers Paul Cook, Steve Jones, Glen Matlock (who was also a sales assistant on Saturdays) and Wally Nightingale assisted McLaren in applying the finishing touch with the erection of the pink vinyl shop sign constructed at his direction by carpenter Vic Mead.

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Perfect Binding: A psychogeographic portrait of counter-cultural Leicester from the late 50s to the early 70s

Feb 8th, 2020

//The premises of Jack English Snr’s lighting shop in Leicester’s Granby Street provide the book’s cover image//

//Will English (right) with Helen Robinson and Steph Raynor in a transport cafe c.1970. Photo by Rose Kendall//

//David Parkinson and his Messerschmitt bubble car, 1974. Photography: Will English//

Perfect Binding, the recently published book by British experimental filmmaker/broadcaster/bookseller William English, is a psychogeographic portrait of a particular strain of cultural activity in a particular place at a particular time: the Midlands city of Leicester from the 1950s to the 70s.

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Bizarre semi-naked woodland Mr Freedom shoot, I was a TV, Edward Bell’s ‘The Queen Of Clapham’… Inside the infamous Curious magazine featuring David Bowie + Freddie Burretti on its cover

Dec 4th, 2019

//Cover, Curious issue 19, 1971. Photography: Brian Ward. No reproduction without permission.This copy: Paul Gorman Archive//

//Opening spread The Queen Of Clapham. Photography: Edward Bell. No reproduction without permission//

//From The Cool Kilt vs The Hot Pant. Photographer not credited. No reproduction without permission//

//Opening spread I Was A TV. Photographer not credited. No reproduction without permission//

The British sex magazine Curious was well-named: for the duration of its near-decade long run from the late 1960s it was indeed a curiosity.
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Experimental + inspirational: Wild Daughter

Jul 21st, 2019
//Wild Daughter at the ICA last month. The gold phalus worn by James Jeanetta was

//Wild Daughter at the ICA last month. The gold phallus worn by James Jeanette was created by leathermakers Whitaker Malem//

//Still from Wild Daughter’s Mr G, directed by Douglas Hart and styled by Elie Grace Cumming//

I was flattered recently to receive an email from Jacob Shaw, bassist in art-rockers Wild Daughter, about the effect my work has had on certain visual elements of the group and in particular a performance during their recent ICA night The Moon Sextiles The Sun.

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