//Kiss Kiss, Go To Work On An Egg, Christopher Logue + Tom Salter, 1968.//
//Go To Work On An Egg, Mather & Crowther, 1964.//
“People do love huge pieces of paper”.
So runs the quote heading up a section in V&A curator Catherine Flood’s excellent overview British Posters: Advertising Art & Activism, published by the museum to coincide with its multifarious design celebrations this Olympic year.
And it’s true. We do.
Or we all did, when this vital form was simultaneously a mass-medium and a highly personal communications device, when huge promotional budgets and lack of urban controls resulted in the accretive papering of our street-scapes. Meanwhile, behind closed doors, we gave posters pride of place on the walls of our bedrooms, bedsits and sitting rooms.
//Top left: Your Britain, Fight For It Now, Abram Games, 1942. Right: Keep Death Off The Road, Carelessness Kills, William Little, 1949.//
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Tags: Abram Games, As You Like It, Carateles la Candelaria, Catherine Flood, Christopher Logue, Eduardo Paolozzi, Hapshash And The Coloured Coat, John Morris, Ken Briggs, Lissitzky, M&C Saatchi, Mather & Crowther, Mike McInnerney, Richard Hollis, See Red Women's Workshop, Society Of Revisionist Typographers, Tom Salter, Typoretum, UFO, V&A, William Little
