Paul Gorman is…

What’s the connection between this 30s art exhibition catalogue and this 80s post-punk single?

Oct 22nd, 2013

//Left: Catalogue for Circle: Constructive Art In Britain 1934-40, Kettle's Yard Gallery, 1982/Right: 7in sleeve for Danger/Don't Want To Be Your Shadow, The Psychedelic Furs, CBS, 1982//

Find out here.

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Starting work on my new book – Legacy: The Story Of The Face

Jul 10th, 2013

I am now starting work on a new book.

Legacy: The Story Of The Face is to be published by Thames & Hudson in 2015 and has the support and involvement of Nick Logan, the owner and founder of what became one of the most important and influential publications of recent times.

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Flocked + tiger-striped: The Paradise Garage Ford Mustang

Jul 6th, 2013

//Trevor Myles, Mustang and 430 King's Road, late summer 1971. Photo: Michael Roberts//

//From Michael Roberts' article Men & Their Machines, Club, October 1971//

Trevor Myles’ decision to incorporate a flocked and tiger-striped 1966 Ford Mustang as part of his retail space Paradise Garage naturally attracted a lot of attention during the brief existence of this unusual fashion outlet at 430 King’s Road in Chelsea’s World’s End in 1971.

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Ian Dury, Dany Bubbles + Barney Bubbles

Jun 26th, 2013

//Dany Bubbles, 1963-66. Pencil and acrylic, 29" x 20" (framed)//

I sourced one of the paintings which is in More Than Fair, the exhibition of Ian Dury’s artworks which opens at his alma mater, London’s Royal College of Art, next month.

Dury gave the ultra-Pop Dany Bubbles to his friend and designer Barney Bubbles in the late 70s during their spell of collaboration which resulted in a series of triumphs: single sleeves such as Sex & Drugs & Rock & Roll, What A Waste and Hit Me With Your Rhythm Stick, the 28 wallpaper covers of the album Do It Yourself, the Blockhead logo…

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The Peter Small connection: George O’Dowd at Street Theatre, The Regal + The Foundry

Jun 19th, 2013

//George O'Dowd in Street Theatre, 12 Ganton Street, central London, 1978. Photo (c): Boy George Collection//

I’ve been acting as a consultant to artist Lucy Harrison on her latest site specific project Carnaby Echoes, which focuses on the culturally fertile area of central London adjacent to Soho.

With the starting point of the opening of Murray’s Club in Beak Street in 1913, Harrison is mounting her artistic response to 100 years of musical history with archival material and fresh interviews with some of the area’s leading lights.

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The Photo Kid: Ben Kelly at the Royal College Of Art, 1974

Jun 13th, 2013

This is designer Ben Kelly at his 1974 degree show at London’s Royal College Of Art.

Kelly adopted the alter-ego The Photo Kid, who is portrayed in the work by which he is standing. The Photo Kid wore clothes – in particular brothel creepers – from Malcolm McLaren and Vivienne Westwood’s shop Let It Rock, as did Kelly; the shoes, pink socks and belt in this photograph all came from there, while the Hopalong Cassiday & Topper top (see Ian Harris’s comment below) was picked up at a Paris flea market.

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My Anarchy Shirt archaeology at Dazed Digital

May 2nd, 2013

Dazed Digital is featuring a précis of my investigation into the roots of the Anarchy Shirt as sold in Sex and Seditionaries at 430 King’s Road in 1976 and 1977.

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Practical Styling: Previously unpublished photos of the shop of the 80s

Apr 30th, 2013

//An early 80s window display by Simon Haynes: Geometrically arranged brightly coloured platforms and ladders//

//This giant "toy" portcullis was produced by Haynes for Practical Styling in the mid-80s//

//Haynes' neo-classical backdrop for another mid-80s display//

These photographs from the archive of artist/set designer Simon Haynes convey the scope and ambition of the great 80s British independent retail outlet Practical Styling, operated by Paul Jones and Tommy Roberts on the ground floor and basement of London’s brutalist CentrePoint building.

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The story behind a long-lost single sleeve design

Apr 18th, 2013

Read the story behind this obscure record sleeve design – for a single which failed to dent the Top 75 on release 30 years ago – over on the Barney Bubbles Blog.

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When Kilburn + The High Roads played the King’s Road Theatre 1974: Ian Dury in Let It Rock ‘Alan Ladd’ suit + feather tie and Sue and Simon Haynes’ extraordinary Tower Bridge stage set

Apr 12th, 2013

//Keith Lucas and Ian Dury onstage at the Kings Road Theatre, November 1974. Photo: Simon Haynes Collection//

As these rarely seen photographs show, when the subject of my last book the late Tommy Roberts took over management of Kilburn & The High Roads he sought to elevate them from the pub-rock scene by upping the visual ante on every front.

//From left: Lucas, Dury, David Rohoman, Charlie Sinclair and Davey Payne//

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