Paul Gorman is…

Refna revival: Elizabeth Hamey’s adventures in art, design + fashion

Aug 9th, 2017

//Jean Shrimpton in Mr Freedom Minnie Mouse top, Hans Feurer, Fancy Dressing, Nova, December 1970, with the original design on tracing paper by Refna. No reproduction without permission//

Exciting news: Elizabeth Hamey, who signs her work ‘Refna’, has granted me access to her amazing archive of work at the cross-hatches of art, design and fashion in the 1960s and 70s.

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Exhibition of Barney Bubbles artwork opens this week at Fred Perry’s flagship London store

Aug 1st, 2017

I’ve organised a small exhibition of artwork relating to designs used in the forthcoming Barney Bubbles x Fred Perry collaboration; it opens later this week at Fred Perry’s flagship London store.

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“Because it’s so damn good!” Extracts from my exclusive interview with pioneering illustrator/photographer Jim French, who has died aged 84

Jun 18th, 2017

//Jim French. Photo: SHOWStudio//

The American illustrator and photographer Jim French – best known for his pioneering endeavours in the field of homoerotic art – has died at home in Palm Springs at the age of 84.

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My new book – The Story Of The Face: The Magazine That Changed Culture

Jun 7th, 2017

This is the front of the jacket of my new book The Story Of The Face: The Magazine That Changed Culture, which is published by Thames & Hudson this autumn.

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Jasper: Memories of the London fashion label and a Barney Bubbles connection

May 15th, 2017

//But Is It… ART, t-shirt design, Ian Harris for Jasper, 1979//

I’ve dug into collector and graphic artist Ian Harris’s rich archive again and turned up a brace of t-shirts he designed in the late 70s for Jasper, the eponymous London-based fashion label operated by entrepreneur Jasper Hamilton Holmes from showrooms in central London.

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Don’t Knock The Rock: John E. Reed’s eternal image of exuberant Little Richard

Apr 20th, 2017

//London Records promotional image, 1958//

In 1956 the Hollywood photographer John E. Reed took a series of promotional shots of the stars of DJ Alan Freed’s rocksploitation flick Don’t Knock The Rock.

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Audacious early 70s Hipgnosis fashion shoots for Club International

Apr 18th, 2017


When innovatory British men’s magazine Club International was launched in 1972, editor Tony Power and art director Steve Ridgeway assembled a diverse pool of contributors, including jazzer, art critic and cultural commentator George Melly, the Stately Homo Quentin Crisp, Rocky Horror Show founder Richard O’Brien, former White Panther Mick Farren, photographers David Parkinson, Mick Rock and Karl Stoecker, illustrators Bush Hollyhead and Brian Grimwood and the design studio Hipgnosis.

//Casual trousers £9.50 from Mr Freedom; satin waistcoat £12 from Chris at Hidegrade; Bobbysoxer Boots £12.75 by Daisy Roots from Way In. From Club International Vol 1 No 3, 1972//

//Prince of Wales Oxford bags £4.95 from Take 6; Hollywood Funsters £12.25 by Daisy Roots from Way In. From Club International Vol 1 No 3, 1972//

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Before We Were Men: With David Gwinnutt, Ian Massey and John Maybury at National Portrait Gallery tonight

Mar 23rd, 2017

Tonight I will join academic and arts writer Dr Ian Massey and filmmaker John Maybury in conversation with photographer David Gwinnutt for an event to coincide with his exhibition Before We Were Men at the National Portrait Gallery.

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The Paradise Garage Mustang pops up in mid-70s early learning book

Feb 13th, 2017

//Outside Paradise Garage, 430 King’s Road, GW Hales, 1971//

As punk expert/collector and design academic Paul Burgess notes, references to 430 King’s Road turn up in the most surprising places.

So thanks to him for notifying me about this photograph of the coolest address in pop culture – and in particular the tiger stripe-flocked Ford Mustang which adorned the street outside during the Paradise Garage phase – in a 1976 light educational book for young children.

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The Stiff Records clock: When You Kill Time You Murder Success

Feb 13th, 2017

//The Stiff Records clock. Concept: Jake Riviera, design: Barney Bubbles, lettering: Caramel Crunch, 1977. No reproduction without permission//

Stiff Records was on fire in 1977.

The British independent record label, with owners Jake Riviera and Dave Robinson snapping up acts and art director Barney Bubbles applying his unsurpassable skills to the visualising of their music, came straight out of the traps 40 years ago this month with the release of the first ‘punk’ LP Damned Damned Damned by – who else? – The Damned.

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