//From The Times, July 29, 1966. Paul Gorman Archive. No reproduction without permission//

The late Malcolm McLaren made his first national media appearance in a 250-word item on the Law Report page of The Times in the summer of 1966.

This is an extract from my biography The Life & Times of Malcolm McLaren:

In 1966 while he was attending a painting course at Chelsea College of Art, Malcolm McLaren – who had been forced to take his step-father’s surname Edwards a few years earlier – came under the influence of Stan, a fellow student whose last name is lost to memory.

“Stan was a Trotskyist who played a mean jazz saxophone and politicised Malcolm,” says Fred Vermorel, a friend of McLaren’s who had been at Harrow art school with him a couple of years previously.

For McLaren, radical politics opened up a world of possibilities when entwined with his investigations into art. Encouraged and initially accompanied by Stan, McLaren began attending rallies and demonstrations protesting on behalf of the causes célèbres of the day: against the war in Vietnam and South Africa’s apartheid regime.

Long gone were the polite CND parades peopled by earnest chaplains and fresh-faced Home Counties youth in duffel coats chanting Kumbaya. Taking their cue from the US uprisings such as that among the African American community on Chicago’s West Side, the British protestors of 1966 brought activism to new heights in direct confrontation with the authorities. A turning point was the July central London rally calling for the British government to disassociate itself from US military policy in south-east Asia.

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Tags: Alexander Trocchi, Chelsea College Of Art, Fred Vermorel, Harrow school of art, Henry Adler, King Mob, Kumbaya, Malcolm Edwards, Mrs Gold, Stars & Stripes, The Times

I am the subject of the My Design London page in today’s edition of the capital’s Evening Standard newspaper.

In Liz Hoggard’s piece, I talk about some of the places which help make this the greatest city in the world, from our local patisserie WA Cafe and picture framers For Art’s Sake to Mayfair jewellers/art space Belmacz, Hackney Road’s Two Columbia Road and M. Goldstein and the galleries Richard Saltoun and Chelsea Space.

Copies of the Standard are available free to commuters on Greater London’s transport system. The piece will be posted on the Standard’s site soon.

Tags: Belmacz, Chelsea Arts Club, Chelsea Space, Evening Standard, For Art's Sake, Liz Hoggard, M. Goldstein, My Design London, Richard Saltoun, Two Columbia Road, WA Cafe

//From The Observer, December 6, 2015//

Derek Boshier: Rethink/Re-entry – the artist monograph I edited – has been picked as one of the best art books of 2015 by British broadsheet The Observer.

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Tags: David Hockney, Diego Rivera, Peter Conrad, Thames & Hudson, The Observer

The publication of Derek Boshier: Rethink/Re-entry and the opening of the companion exhibition next week are marked by an interview with the artist in the the UK’s Sunday Times.

Pointing out that recognition for Boshier’s achievements is long overdue, writer Dan Cairns’ piece covers the 60s Pop years, Boshier’s work with The Clash and David Bowie and his continuing and energetic immersion in all aspects of art and multimedia.

“Nearing 80, Boshier is still engaged, making films on his iPad, collecting ideas, grappling with the world around him,” writes Cairns.

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Tags: Christopher Logue, Culture, Dan Cairns, Flowers Central, Gear, Rob Tufnell, Sunday Times, Tom Salter

//TOP: From the NME’s coverage of the Wembley Rock N Roll Show – staff model Let It Rock clothing outside 430 King’s Road. Photo: Robert Ellis./ABOVE: From the Evening Standard special issue – Teds and (left) LIR assistant Addie Isman outside Let It Rock.//

As a follow-up to my recent post about the Rock N Roll revival show held at London’s Wembley Stadium in August 1972, here is another selection from the media surrounding the event.

The New Musical Express dedicated a section to reviewing the show, decking staffers Danny Holloway, James Johnston and the late Tony Tyler in appropriate clothing from Let It Rock. The journalists were photographed outside Malcolm McLaren and Vivienne Westwood’s outlet at 430 King’s Road by Robert Ellis.

//Bo Diddley on the cover of the ES special//

//Angus McGill and Geoffrey Aqulina Ross were among the journalists who contributed to the ES special. I love the juxtaposition with the knife and fork/skull and crossbones logo promoting a Sunday Times feature by the architectural writer Ian Nairn, whose work has recently undergone critical appraisal//

The capital’s daily paper the Evening Standard’s special issue – billed as the official programme – also included images taken outside Let It Rock, including assistant Addie Isman in one of the store’s then-new studded t-shirts (this one emblazoned with the phrase Rock N Roll Ruby) and customer and prominent London Ted Bill Hegarty in full regalia.

The images of the Evening Standard special issue are from the copy owned by collector Takeshi Hosoya, whose Japanese clothing label Peel + Lift can be viewed here.

Many thanks to Robert Ellis for permission to use his shot in the scan from the NME. Visit Robert Ellis’s Repfoto site here.

Tags: Addie Isman, Bill Hegarty, Bo Diddley, Danny Holloway, Ian Nairn, James Johnston, NME, Peel + Lift, Repfoto, Robert Ellis, Takeshi Hosoya, Tony Tyler, Wembley Stadium