Paul Gorman is…

In conversation with Chris Salewicz about the early days of The Face at Bookseller Crow on Tuesday

Nov 25th, 2017

//John Lydon. From The Face issue 8, December 1980. Photo: Sheila Rock//

//Grace Jones. From The Face issue 6, October 1980. Main photo: Jill Furmanovsky//

//Divine. From The Face issue 9, January 1981. Photo: Sheila Rock//

Here’s a selection of articles for early issues of The Face by veteran music journalist/author (and my old mucker) Chris Salewicz to mark the fact that he and I will be in conversation about my new book The Story Of The Face at leading south London independent bookshop Bookseller Crow on Tuesday evening (November 28).

Read the rest of this entry »

Tags: , , , , , , , , , , , , , ,

Signing copies of The Story Of The Face at Paul Smith Beak Street this week

Nov 20th, 2017

I’m signing copies of my new book The Story Of The Face at Paul Smith’s Beak Street store in London’s Soho on Thursday evening.

Smith’s shop is opposite the address of one of my all-time favourite fashion outlets, Demob, which was at 47 Beak Street in the early to mid-80s.

//Page 5, The Face 25, May 1982//

In fact Demob’s opening was heralded in a spring 1982 issue of The Face, with a report by Anne Witchard and photographs by Neil Matthews.

If you’re in town drop in to 46-48 Beak Street on Thursday evening and say hi.

The Story Of The Face: The Magazine That Changed Culture is out now.

Tags: , , , ,

The Story Of The Face: In conversation with Magculture’s Jeremy Leslie + the legend Nick Logan at Central Saint Martins on November 16

Nov 3rd, 2017

To mark the publication of my new book about The Face,  I will be in conversation at London’s Central Saint Martins on November 16 with Magculture’s Jeremy Leslie and the magazine’s founder/editor/publisher Nick Logan.

//Logan in Soho last week. In this area he ran The Face as a one-man band from offices in Carnaby Street (1980-81) and Broadwick Street (1981-82)//

This event represents a chance not just to hear from Leslie, whose shop is the country’s leading independent magazine hub, but also a rare opportunity to witness Logan – in my book (literally) the most important figure in post war British magazine publishing – talk about the magazine that changed culture.

Tickets are £10; all proceeds go to the Alzheimers Society.

Details and tickets from Magculture here.

The Story Of The Face: The Magazine That Changed Culture is published on the same day, November 16. You may order copies here.

Tags: , , , ,

Run To Me: A quizzical visual exchange between Sam Jackson and Derek Ridgers

Oct 12th, 2017

//Front, Run To Me catalogue, 25 x 20cm, 44pp//

//Unconditional Love, Sam Jackson, 2017//

In the exhibition Run To Me – opening tomorrow at Old Street’s Charlie Smith London – curator Faye Dowling presents a quizzical visual exchange between painter Sam Jackson and photographer Derek Ridgers.

//First part of my essay faced with Tanya, The Batcave, Derek Ridgers 1983//

Read the rest of this entry »

Tags: , , , , , ,

The Story Of The Face in British GQ

Oct 6th, 2017

Out today, the November 2017 issue of British GQ includes a 10-page feature on my forthcoming book The Story Of The Face: The Magazine That Changed Culture.

Read the rest of this entry »

Tags: , ,

Jim Walrod August 25 1961 – September 23 2017

Sep 30th, 2017

//Jim Walrod, 2012. Photo: Jeremy Liebman//

I said many times to Jim – and have reflected on this over the last few days – that not many people get to pursue their passion every day of their adult lives. Jim did that. He never went to ‘work’. He did not care if he made money doing it, he just wanted to be able to have you understand what he saw and to have your opinion on it.
Kathy Walrod

Jim Walrod, who has died aged 56, occupied a unique position in the world of international design.

A collector, curator, writer and sometime retailer, as well as an interior designer and locator of unusual and one-off furniture and lighting pieces for a diverse selection of celebrity and private clients, the rangy, sandy-haired Walrod cut a singular figure.

Enthusiastic, informed and slyly humorous, Walrod was founder with Jack Feldman and Fred Schneider of the B-52s of New York’s important 90s/00s store Form & Function and described as “the ultimate design raconteur” by hotelier André Balazs.

To Mike D of the Beastie Boys he was “the furniture pimp”, an accolade won in part for having sourced Memphis designs for David Bowie (Jim revealed to me just a few weeks ago that some of these Italian PoMo pieces came via Tommy Roberts, subject of my book Mr Freedom).

Read the rest of this entry »

Tags: , , , , , , , , , , , , , , , , , , ,

Unmade Up… Enlightening vignettes from Edward Bell’s unusual acquaintance with David Bowie

Sep 26th, 2017

//When they met, Bowie was scrutinising this portrait of Sex, Seditionaries and Jubilee superstar Jordan Mooney at Bell’s exhibition Larger Than Life//

“I, too, had to maintain a certain degree of detachment, and indeed to want and expect nothing of him; the paradox will always remain that, if David Bowie had not been David Bowie, then David Bowie and I could have been friends.”

Edward Bell, 2017

Edward Bell first encountered David Bowie when the rock chameleon turned up unexpectedly at a private view for the British visual artist’s first exhibition in 1980.

They last spoke in 2013, a few years before the musician/performer’s untimely demise. In the intervening period Bell and Bowie hung out in London, Venice and Los Angeles, collaborated on record sleeve projects and maintained sometimes sporadic contact, via a Swiss letter drop address and out-of-the-blue phone calls.

Read the rest of this entry »

Tags: , , , , , , , , , , , , , ,

‘Suburban voodoo is what he did do, so well’: Last two days of Barney Bubbles exhibition at Rob Tufnell London

Sep 22nd, 2017

//Back Cover, Jesus Of Cool, Nick Lowe, Radar Records, 1978. Photo: Bob Bromide. Design © Barney Bubbles Estate//

//Back cover, Darling Let’s Have Another Baby/Something Else/It Really Digs, Johnny Moped, Chiswick Records, 1978. Design © Barney Bubbles Estate//

//Clock, Stiff Records, 1978. Design © Barney Bubbles Estate//

//Front, Life’s A Riot With Spy Vs Spy, Billy Bragg, Utility, 1983. Design © Barney Bubbles Estate//

“In graphics, in the music business at least, Barney pioneered the use of everyday objects in his work. He could see the design and the beauty in the apparently banal”
Suzanne Spiro, artist

The Barney Bubbles exhibition Optics & Semantics at London gallery Rob Tufnell closes tomorrow evening; if you have a chance, do go along and enjoy the late graphic arts maestro’s unique celebrations of the mundane and workaday.

Read the rest of this entry »

Tags: , , , , , , , , , , , , , , , , , , , , , , , , , , , ,

Here We Are: Britishness considered at this crucial juncture in our history

Sep 18th, 2017

//Janette Beckman’s 1980 image of Jerry Dammers of The Specials is included with documentary and portrait photography by the likes of Jane Bown, Bill Brandt,  Ian Macdonald, Colin O’Brien, Martin Parr and Jo Spence//

Curated by Christopher Bailey, creative director of sponsoring fashion brand Burberry, with Lucy Kumara Moore of bookshop Claire de Rouen and fashion/documentary photographer Alasdair McLellan, the exhibition Here We Are considers Britishness at this crucial juncture in our economic, political and social history.

Read the rest of this entry »

Tags: , , , , , , , , , , , , , , , , , , , , , , , , ,

Barney Bubbles: Optics & Semantics at Rob Tufnell London

Aug 31st, 2017

//AC/DC Desk (with plug stool), Get Happy!! lightbulb poster, ‘Kill Time’ Stiff Records clock + Ian Dury Cocktail cabinet//

You wait years for a Barney Bubbles exhibition and then two come along in the space of a month.

On the heels of the mini-show of Barney Bubbles music designs at Fred Perry’s basement space in Covent Garden comes a different take on the work of the late graphics maestro.

Read the rest of this entry »

Tags: , , , , , , , , , , , , ,