Paul Gorman is…

Totally Wired x Ambit Pop x Disco Pogo x others = We Love Music! at Magculture on October 27

Oct 17th, 2022

I’ll be joining contemporary music magazines including Disco Pogo and Ambit Pop at a celebration of the music press then and now at London’s premier magazine outlet Magculture a week on Thursday (October 27).

Magculture currently stocks a dozen music magazines, so is the appropriate place to talk about the past, the present and the future of the media sector which has spawned so many exciting publications as well as writers, designers, photographers and editors.

Starting at 6.30pm, I’ll be discussing the themes raised in my book Totally Wired: The Rise and Fall of the Music Press with magCulture’s Jeremy Leslie,and then we’ll be joined by editors including Paul Benney of Disco Pogo (and also co-founder of 90s mag Jockey Slut) and Kirsty Allison of Ambit + Ambit Pop.

Details and tickets for the event are available here.

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‘Illuminating treatise… essential reading’ Electronic Sound on Totally Wired

Aug 24th, 2022

The first review of my next book Totally Wired: The Rise & Fall of the Music Press is in the current issue of British monthly Electronic Sound, which receives a mention in the post-2000 epilogue:

Challenging my ‘rise & fall’ thesis, Electronic Sound‘s review is nevertheless complimentary, describing the book as an ‘illuminating treatise’ and ‘essential reading’.

Visit Electronic Sound and buy the latest issue here.

Order your copy of Totally Wired at all good booksellers, including bookshop.org.

 

 

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First copy of Totally Wired is in!

Aug 5th, 2022

I’m really jazzed about getting my hands on the first finished copy of Totally Wired, my history of the music press which is published by Thames & Hudson this autumn.

Designer Daniel Streat has done wonders with the day-the-world-turned-dayglo jacket concept and my choice of cover star Poly Styrene.

There are 60 or so illustrations, all magazines from my archive. The diversity reflects the content of the book, which covers the usual suspects – NME, Melody Maker, Rolling Stone – but will hopefully turn readers onto the unexpected and surprising, from Black Music and Collusion to WET, Ben Is Dead and Girlfrenzy.

Totally Wired is published in the UK and elsewhere on September 22 and in North America on November 29. It is available to order now from all good booksellers as well as my Bookshop page at uk.bookshop.org/shop/paulgorman or by clicking on this panel:

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The Wild World of Barney Bubbles is out this summer

Jan 20th, 2022

My next book, The Wild World of Barney Bubbles, is published around the world this summer by Thames & Hudson.

This is the enhanced and revised third edition of my monograph of the late graphic artist, who died in 1983 and would have been 80 this year.

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DB Burkeman’s Art Sleeves: Album Covers By Artists avoids the usual suspects and contains many surprises

Mar 24th, 2021

Among the many things the world doesn’t need now is another book of record covers, but DB Burkeman’s Art Sleeves, which is published today by Rizzoli, is something else entirely.

For once the publisher’s blurb is spot-on; this is “a tightly curated exploration” of record covers which challenge the distinctions between art and design, between object and product.

This means that there are many surprises in the book, and a minimum of the usual suspects.

Art Sleeves also contains a bonus in a series of artist spotlights and conversations featuring such exponents as Christian Marclay, INVADER, Ryan McGinley, Genieve Figgis  and Marilyn Minter.

And Barney Bubbles receives a mention as DB’s “personal design hero” in the introduction.

I recommend Art Sleeves highly. Order your copy here and follow Art Sleeves on Instagram here.

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Read my essay From The Streets To The Stadium in the new Stone Island monograph Storia

Oct 6th, 2020

I have an essay in the Stone Island monograph Storia which is published today by Rizzoli Books.

Edited by Eugene Rabkin of StyleZeitgeist and art-directed by the supreme Simon Foxton, Storia is an extremely handsome volume featuring texts by Angelo Flaccavento and Jian Deleon, as well as my piece, From The Streets To The Stadium, which traces the Italian label’s place in popular culture.

Storia is available from all good booksellers – a special edition has been published in a slipcase with a poster.

This is available from Stone Island stores around the world, but hurry; within a few hours of publication I’ve been hearing tales that it has sold out in certain territories.

Photos of book by Sabrina Tanzi.

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Match held under Stars and Stripes: When Malcolm McLaren was arrested for burning the US flag in Grosvenor Square in 1966

Aug 26th, 2020

//From The Times, July 29, 1966. Paul Gorman Archive. No reproduction without permission//

The late Malcolm McLaren made his first national media appearance in a 250-word item on the Law Report page of The Times in the summer of 1966.

This is an extract from my biography The Life & Times of Malcolm McLaren:

In 1966 while he was attending a painting course at Chelsea College of Art, Malcolm McLaren – who had been forced to take his step-father’s surname Edwards a few years earlier – came under the influence of Stan, a fellow student whose last name is lost to memory.

“Stan was a Trotskyist who played a mean jazz saxophone and politicised Malcolm,” says Fred Vermorel, a friend of McLaren’s who had been at Harrow art school with him a couple of years previously.

For McLaren, radical politics opened up a world of possibilities when entwined with his investigations into art. Encouraged and initially accompanied by Stan, McLaren began attending rallies and demonstrations protesting on behalf of the causes célèbres of the day: against the war in Vietnam and South Africa’s apartheid regime.

Long gone were the polite CND parades peopled by earnest chaplains and fresh-faced Home Counties youth in duffel coats chanting Kumbaya. Taking their cue from the US uprisings such as that among the African American community on Chicago’s West Side, the British protestors of 1966 brought activism to new heights in direct confrontation with the authorities. A turning point was the July central London rally calling for the British government to disassociate itself from US military policy in south-east Asia.

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Rock’s Back Pages x 3: Guest on the podcast, McLaren bio extract about David Harrison’s tryout as Sex Pistols frontman and archival pieces by me on the Spice Girls (1996) and US alternative zines (1994)

Apr 14th, 2020

//In conversation with (from top left) RBP’s Mark Pringle, Jasper Murison-Bowie and Barney Hoskyns//

I’m the featured guest on this week’s podcast from the world’s premier music journalism site rocksbackpages.com.

I go way back with RBP founder and author Barney Hoskyns; he commissioned pieces from me when he was Mojo editor in the early 90s and we launched my music press book In Their Own Write, RBP and photographer Jill Furmanovsky’s rockarchive.com on the same night at a Shoreditch gallery nearly 20 years ago.

I had fun talking to Barney and his confreres Mark Pringle and Jasper Murison-Bowie. The chat ranged from my background in trade journalism to, of course, the new Malcolm McLaren biography. Listen to the podcast here.

//David Harrison in customised Sex t-shirt, 1975//

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We dressed up to mess up: Virtual book launch of the Malcolm McLaren biography

Apr 8th, 2020

//Clockwise from top left: @vieux.wave, @pippabrooks, @luxoramor, Nick Vivian, @ladyacss, @chrissalewicz//

//Clockwise from top left: @belmaczmayfair, mr + mrs @adamskiofficial, @joebrookks, @pippabrooks, @ourmanincairo, @mrsgorman//

We have to take our pleasures where we can during these grim times, and last night’s virtual book launch of my Malcolm McLaren biography provided a much-needed tonic.

The plan was to celebrate the publication with a party at the library bar of London’s hotel The Standard, with a relaxed congregation of friends and contributors and DJ sets by Pippa Brooks and Pam Hogg.

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Malcolm McLaren: Ten years after

Apr 8th, 2020

//The post featured a grab of Pennie Smith’s portrait for Nick Kent’s The Politics Of Flash article in an April 1974 issue of the NME//

Ten years ago I posted this on The Look blog upon returning home from a gathering at London gallery Chelsea Space.

The venue was fitting; Chelsea Space is within the grounds of Chelsea College of Arts which was in Manresa Street off the King’s Road until a few years back. This was among the arts institutions attended by the student painter Malcolm Edwards in and around London in the 1960s.

Our friend the writer Chris Salewicz broke the news; among the company was guitarist Mick Jones, whose life, like many of us, had been improved by connection with McLaren.

Naturally, Jones expressed sorrow, and his immediate response to the news of McLaren’s passing struck me hard. ‘We’ll never hear Malcolm’s latest thoughts again,’ said Jones. ‘All those brilliant, wild ideas which seemed to pour out of him on a daily basis, that’s over. And that’s really sad.’

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