Paul Gorman is…

A bastion of splendid non-conformity: Brian Griffin’s photos of Duggie Fields at home in the late 70s

Aug 18th, 2017

//Duggie Fields at home, late 1970s. © Brian Griffin. No reproduction without permission//

//Duggie Fields’ apartment, late 1970s. © Brian Griffin. No reproduction without permission//

Among my current projects is an article for Apartamento about the great British artist Duggie Fields and his flat in London’s Earl’s Court.

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Refna revival: Elizabeth Hamey’s adventures in art, design + fashion

Aug 9th, 2017

//Jean Shrimpton in Mr Freedom Minnie Mouse top, Hans Feurer, Fancy Dressing, Nova, December 1970, with the original design on tracing paper by Refna. No reproduction without permission//

Exciting news: Elizabeth Hamey, who signs her work ‘Refna’, has granted me access to her amazing archive of work at the cross-hatches of art, design and fashion in the 1960s and 70s.

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Barney Bubbles x Fred Perry: This year’s most exciting street-style collab

Jul 24th, 2017

“Because it’s so damn good!” Extracts from my exclusive interview with pioneering illustrator/photographer Jim French, who has died aged 84

Jun 18th, 2017

//Jim French. Photo: SHOWStudio//

The American illustrator and photographer Jim French – best known for his pioneering endeavours in the field of homoerotic art – has died at home in Palm Springs at the age of 84.

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Was it The Fool or Alexander Trocchi? The mystery of Warhol Waking at Kensington Town Hall in May 1971

Apr 22nd, 2017

//Front of folded flyer, 6.5 x 8″//

Graphic artist, musician, fashion and interiors designer and all-round all-rounder Ian Harris has granted me access to more items from his amazing archive; this is in the intriguing category –  a flyer for a most unusual art project he visited in the early 1970s.

Warhol Waking was staged over one day in the foyer of Kensington Town Hall in west London in the spring of 1971. This tumultuous period of creative experimentation in public and private spaces was later described as representing either “the immense variety and talent of the London arts scene or its condition of cultural confusion” by artist and art historian John A. Walker.

The installation/intervention proved challenging for visitors: it comprised a typical domestic bed with sheets and blanket drawn back to reveal excrement juxtaposed with a towering orchid which drooped as the day passed and flies gathered.

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Don’t Knock The Rock: John E. Reed’s eternal image of exuberant Little Richard

Apr 20th, 2017

//London Records promotional image, 1958//

In 1956 the Hollywood photographer John E. Reed took a series of promotional shots of the stars of DJ Alan Freed’s rocksploitation flick Don’t Knock The Rock.

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Happy Birthday British rock and R&B, born 55 years ago tonight at the Ealing Club when Mick Jagger, Keith Richards, Brian Jones, Charlie Watts and Eric Burdon gathered around Alexis Korner

Mar 17th, 2017

//Top: Entrance to Ealing Club stairwell with jeweller’s to its right, early 1960s. Photo: ealingclub.com. Above: The entrance as it is today//

“Suburbia is the breeding ground for the richest and most innovative cultural production of the 20th and 21st centuries” Rupa Huq, writer and MP for Ealing Central & Acton, 2013

An advert in the New Musical Express for a “Rhythm & Blues Night” staged 55 years ago today – on St Patrick’s Night, March 17, 1962 – sparked the British musical revolution which soundtracked youth culture in the West for decades.

The ad proved a lure for suburban London teenage r&b fans including Keith Richards and Mick Jagger, while Eric Burdon, soon to be vocalist with The Animals, hitchhiked the 300 miles from Newcastle to join them in witnessing the main performance by Blues Incorporated (in fact he and Jagger traded verses on stage during a rendition of Billy Boy Arnold’s I Ain’t Got You).

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Bend Sinister: Trump The Toad

Feb 16th, 2017

//1960 Weidenfeld & Nicolson edition. Jacket design: Eric Ayers//

“This choice of a title was an attempt to suggest an outline broken by refraction, a distortion in the mirror of being, a wrong turn taken by life.”
Vladimir Nabokov, from the introduction to the 1963 edition of Bend Sinister

Donald Trump’s nightmarish occupancy of the US presidency has occasioned quite a few literary comparisons, causing sales spikes for such dystopian works as George Orwell’s 1984 and prompting arguments about whether other books more accurately envisioned what passes for our current version of reality: see Margaret Atwood’s The Handmaid’s Tale and Aldous Huxley’s Brave New World.

An admittedly cursory check around hasn’t turned up anyone else who, like me, makes the connection to Vladimir Nabokov’s 1947 novel Bend Sinister, about a bereaved world-renowned philosopher living in a totalitarian state run by the repulsive schoolmate he had once bullied and nicknamed “The Toad”. This tyrant, Paduk, rules via his Party Of The Average Man.

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Sweet relief in design + anti-design: Josef Frank at FTM + Make It Real at DKUK

Jan 27th, 2017

Sweet relief from travails personal and political was provided last night by visits to openings of two contrasting yet similarly satisfying creative endeavours in our great capital.

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Sayonara Martin Stone 1946 – 2016

Nov 10th, 2016

Martin Stone hopped, pre-dawn, through the Cheshire street market, scavenging books. Winklepickers, tourniquet trousers, mildewed beret, bulging swagbag: Blind Pew impersonated by Max Wall. Cigarette grafted to trembling, prehensile fingers, he was an anthology of retro fashion. And in his wake there shimmered a vortex of gossip and, amazingly, goodwill…  Iain Sinclair, The Independent, February 18, 1995

Sad to note the passing of Martin Stone, dapper devil and rock and rolling rare book dealer par excellence.

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