//Catalogue cover featuring detail of Tête Cultivée, Nicola L, 1970//
As befits a sorely-missed man of singular style and taste, the catalogue for the forthcoming sale Furniture Pimp: The Collection Of Jim Walrod is an absolute treat.
//Right: Walrod at home photographed by Collin Hughes; Left: works featured in the forthcoming sale//
//Back Cover, Jesus Of Cool, Nick Lowe, Radar Records, 1978. Photo: Bob Bromide. Design © Barney Bubbles Estate//
//Back cover, Darling Let’s Have Another Baby/Something Else/It Really Digs, Johnny Moped, Chiswick Records, 1978. Design © Barney Bubbles Estate//
//Clock, Stiff Records, 1978. Design © Barney Bubbles Estate//
//Front, Life’s A Riot With Spy Vs Spy, Billy Bragg, Utility, 1983. Design © Barney Bubbles Estate//
“In graphics, in the music business at least, Barney pioneered the use of everyday objects in his work. He could see the design and the beauty in the apparently banal”
Suzanne Spiro, artist
The Barney Bubbles exhibition Optics & Semantics at London gallery Rob Tufnell closes tomorrow evening; if you have a chance, do go along and enjoy the late graphic arts maestro’s unique celebrations of the mundane and workaday.
//AC/DC Desk (with plug stool), Get Happy!! lightbulb poster, ‘Kill Time’ Stiff Records clock + Ian Dury Cocktail cabinet//
You wait years for a Barney Bubbles exhibition and then two come along in the space of a month.
On the heels of the mini-show of Barney Bubbles music designs at Fred Perry’s basement space in Covent Garden comes a different take on the work of the late graphics maestro.
“Anyone who has wondered how the Britain of utility furniture and wartime rationing managed to evolve into Cool Britannia will find this a remarkable book.”
Elizabeth Guffey, State University of New York at Purchase
My case study Tommy Roberts: From Kleptomania To Two Columbia Road forms a chapter in new book British Design: Tradition And Modernity After 1948, which is published by Bloomsbury Academic tomorrow (October 22).
//Left: The Ian Dury Cocktail Cabinet. Right: The AC/DC Desk//
//Left: The Rebel, signed ‘Sal ’81’. Right: The Tree Of Drawers//
//Practical Styling bookcase. Lithographically printed and faux marble. The top section enclosing two adjustable shelves, above three doors enclosing a further three shelves. 87in (223 cm) high; 74 in (188 cm) wide; 20 in (51 cm) deep//
Four extraordinary works by the late Barney Bubbles are to feature in Christie’s Out Of The Ordinary sale, the annual event which is fast becoming one of the highlights of the auction calendar.
// 5 x Barney Bubbles designs, 1981/2. Photo above: Nina Sologubenko//
Last week I had an exciting encounter with the rare and adventurous furniture designs produced by the late graphics master Barney Bubbles in the early 80s.
| Paul Gorman is a writer. This is his blog: art, books, conversation, cults, dancing, design, encounters, environments, events, film, galleries, groups, individuals, invitations, magazines, music, opinions, performance, photography, places, press, privacy, spaces, style, thoughts + views. |
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