//George Hardie’s design for card announcing the opening of Universal Witness at 167 Fulham Road on November 17 1970//
Here’s another treasure from the trove of Design magazines given to me by the designer Paul Walters; the invitation for the opening of Paul Reeves’ west London boutique Universal Witness in November 1970.
A Box Of Bubbles is the special edition of the forthcoming book The Wild World of Barney Bubbles.
Today I’ve launched a page on this site for the Estate of the late radical graphic artist and designer Barney Bubbles.
//Ridiculous Roadshow mask, 1973. © Barney Bubbles Estate//
I represent the Estate and its hundreds of original artworks. We have some exciting activity coming up, including the loving recreation of one of Bubbles’ most striking designs for a very special reissue on Record Store Day this year.
Then there is a new enhanced edition of my monograph Reasons To Be Cheerful: The Life & Work of Barney Bubbles, to be published by a leading international imprint. We are also planning a companion limited edition box of Bubblesiana, including high quality reproductions of his build-your-own paper and card designs.
In recent years the Estate has collaborated with a number of top-flight partners, including Universal Music, BMG Music, Paul Smith, Fred Perry and NOAH Clothing, and produced limited edition t-shirt, poster and postcard ranges with artist/dancer Stacia Blake and specialist printer Something Else.
//Johnny Moped Lightbulb 1977.© Barney Bubbles Estate//
//John Cooper Clarke, 1979. © Barney Bubbles Estate//
Read Barney Bubbles’ biography on the Estate page here.
//Still from Barney Bubbles-directed video for Ghost Town by The Specials, 1981//
//Letterhead for Teenburger Designs studio, 1969. © Barney Bubbles Estate//
//4D Man, 1982.© Barney Bubbles Estate//
//I Love The Sound Of Breaking Glass, 1978. © Barney Bubbles Estate//
//Hit Me With Your Rhythm Stick, 1978. © Barney Bubbles Estate//
//Cracking Up, 1979. © Barney Bubbles Estate//
For licensing and reproduction inquiries, contact paulgormanis@btinternet.com. PDFs of available artworks on request.
Follow the Estate’s Instagram account: @_barney_bubbles_estate_
A few years back over dinner in New York when I was working on The Story of The Face, the British artist and filmmaker Steve McQueen mentioned that he (“well, it was mainly my back and my arse”) had appeared in an i-D fashion shoot when he was a student.
Read the rest of this entry »
//Jewellery by Gayle Saunders and Stanley Rosenberg. Photography/art direction: Hipgnosis. From Phallic Metallics, Club, May 1976//
I’m grateful to Stian Brekke for sending me a link to his site hipgnosiscovers.com for these arresting pages from a 1976 issue of US men’s magazine Club, launched as the sister publication the British Club International the previous year.
When innovatory British men’s magazine Club International was launched in 1972, editor Tony Power and art director Steve Ridgeway assembled a diverse pool of contributors, including jazzer, art critic and cultural commentator George Melly, the Stately Homo Quentin Crisp, Rocky Horror Show founder Richard O’Brien, former White Panther Mick Farren, photographers David Parkinson, Mick Rock and Karl Stoecker, illustrators Bush Hollyhead and Brian Grimwood and the design studio Hipgnosis.
//Casual trousers £9.50 from Mr Freedom; satin waistcoat £12 from Chris at Hidegrade; Bobbysoxer Boots £12.75 by Daisy Roots from Way In. From Club International Vol 1 No 3, 1972//
//Prince of Wales Oxford bags £4.95 from Take 6; Hollywood Funsters £12.25 by Daisy Roots from Way In. From Club International Vol 1 No 3, 1972//
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