Paul Gorman is…

Maurizio Cattelan: I Always Remember A Face, Especially When I’ve Sat On It

Jun 28th, 2013

I Always Remember A Face, Especially When I’ve Sat On It is the arresting title of a great 14-track vinyl-only compilation from artist of the fantastical,  Maurizio Cattelan.

This is the tracklisting:
A Side
1 Bernard Herrmann – Brave New World (Excerpt)
2 The Cheers – Black Denim Trousers & Motorcycle Boots
3 Pierre Schaeffer – Etude Aux Chemins De Fer (Excerpt)
4 Judy Garland – The Trolley Song
5 Coldcut – Stop This Crazy Thing (Excerpt)
6 Malcolm McLaren – Miss Belle
7 Gene Vincent  – Jezebel

B Side
1 Les Paul & Mary Ford  – Bye Bye Blues
2 Hoosier Hot Shots – I Like Bananas Because They Have No Bones
3 The Dorsey Brothers  – Lullaby Of Broadway
4 F.T. Martinetti & A.Guintini – Sintesi Musicali Furutiste (Excerpt)
5 Malcolm McLaren  – Ride A Fashion Horse Pt.2
6 Cornelius – Fantasma
7 Ozzie Nelson And His Orchestra  – Dream A Little Dream Of Me

//From Maurizio Cattelan, Fondation Beyeler, Basel, June 8 - Oct 6//

The LP – produced under the auspices of his online magazine Toilet Paper, marks Cattelan’s current show at Basel’s Fondation Beyeler. See here.

A collaboration with The Vinyl Factory, I Always Remember A Face, Especially When I’ve Sat On It has been produced in a limited edition of 1,000 copies and is available here.

Read Toilet Paper here.

Listen to the comp here:

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Iggy Pop strolls around the Losaida, 1993

Jun 27th, 2013

Directed by Bram Van Splunteren, via openculture.com

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Sunglasses Ron in rocking rabble-rousing mode at The Rainbow 1977

Jun 26th, 2013

//"Sunglasses Ron" Fahey, top right, leads the applause onstage at the Rainbow, Finsbury Park, London, spring 1977. Photo: Neal Purvis//

The photograph above – taken by a friend, Neal Purvis – captures one of the leading lights of London’s Ted scene at the height of his rabble-rousing powers.

Here is “Sunglasses Ron” Fahey taking to the stage of north London venue The Rainbow during The Sun Sound Show, which ran on the nights of April 30 and May 1 1977 and featured rockabilly giants Charlie Feathers, Buddy Knox, Jack Scott and Warren Smith.

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Ian Dury, Dany Bubbles + Barney Bubbles

Jun 26th, 2013

//Dany Bubbles, 1963-66. Pencil and acrylic, 29" x 20" (framed)//

I sourced one of the paintings which is in More Than Fair, the exhibition of Ian Dury’s artworks which opens at his alma mater, London’s Royal College of Art, next month.

Dury gave the ultra-Pop Dany Bubbles to his friend and designer Barney Bubbles in the late 70s during their spell of collaboration which resulted in a series of triumphs: single sleeves such as Sex & Drugs & Rock & Roll, What A Waste and Hit Me With Your Rhythm Stick, the 28 wallpaper covers of the album Do It Yourself, the Blockhead logo…

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Golden age of British boutiques evoked by Christie’s Pop Culture sale

Jun 22nd, 2013

//From the catalogue for next week's auction//

The spirit of great British boutique culture is summoned by a couple of lots in next week’s Pop Culture sale at Christie’s.

One is a previously unpublished June 1967 photograph of Jim Hendrix not in Carnaby Street as captioned, but outside the tobacconist Finlay’s, which was in Foubert’s Place. It’s evident from the carrier bag in his famous left hand that the guitarist had just visited  I Was Lord Kitchener’s Valet, which was next door to Finlay’s and the place where he bought the Hussar’s jacket worn in this photograph and at Monterey Pop that same month.

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The Peter Small connection: George O’Dowd at Street Theatre, The Regal + The Foundry

Jun 19th, 2013

//George O'Dowd in Street Theatre, 12 Ganton Street, central London, 1978. Photo (c): Boy George Collection//

I’ve been acting as a consultant to artist Lucy Harrison on her latest site specific project Carnaby Echoes, which focuses on the culturally fertile area of central London adjacent to Soho.

With the starting point of the opening of Murray’s Club in Beak Street in 1913, Harrison is mounting her artistic response to 100 years of musical history with archival material and fresh interviews with some of the area’s leading lights.

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The Photo Kid: Ben Kelly at the Royal College Of Art, 1974

Jun 13th, 2013

This is designer Ben Kelly at his 1974 degree show at London’s Royal College Of Art.

Kelly adopted the alter-ego The Photo Kid, who is portrayed in the work by which he is standing. The Photo Kid wore clothes – in particular brothel creepers – from Malcolm McLaren and Vivienne Westwood’s shop Let It Rock, as did Kelly; the shoes, pink socks and belt in this photograph all came from there, while the Hopalong Cassiday & Topper top (see Ian Harris’s comment below) was picked up at a Paris flea market.

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I’ve been stupefied from Burundi Black to Grimes and back: Stupefaction posts my playlist

Jun 11th, 2013

I was flattered to be invited to contribute this playlist to Tim Broun’s great blog Stupefaction:

01. Cocoa Song from Moon Over The Alley OST
02. I Start Counting – Basil Kirchin
03. Say You Don’t Mind – Colin Blunstone
04. Cut The World – Antony & The Johnsons
05. Burundi Black (Part 2) – Burundi Stephenson Black
06. Bo Diddley – Bo Diddley
07. Boogie Children – John Fred & the Playboys
08. Jump Sturdy – Dr John
09. Natty Dread Taking Over – Culture
10. Love A We Deal With – Big Youth
11. Train To Rhodesia – Big Youth
12. Sadness Is A Blessing – Lykke Li
13. The Lights Of Tucson – Jim Campbell
14. Coz I Luv U – Slade
15. High – Ssion
16. Inside Out – Odyssey
17. Genesis – Grimes
18. Baby’s On Fire – Die Antwoord
19. Sick Of Myself – Matthew Sweet
20. You Shouldn’t Do That – Hawkwind (full live version)

Stupefaction features a 15-track Spotify and 20-track video version here.

You may go direct to the Youtube version here.

Enjoy.

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Alchemy: Malcolm McLaren on Paris, Capital of the XXIst Century

Jun 9th, 2013

Paris, Capital of the XXIst Century is a personal and subjective journey that began firstly by ambling through a century’s archive of thousands of cinema commercials about the city (its inhabitants, what it sells, how it looks…), secondly by gathering impressions (choosing what to exploit, covet and keep), jotting them down only when I returned to my studio. Then, using these specific scenes as a palette and my voice as a brush, twenty-one portraits emerged of a Paris I had never witnessed before.

Malcolm McLaren November 2009

Tomorrow (June 10), Art Basel will host a screening of Malcolm McLaren’s final artwork, Paris, Capital of the XXIst Century.

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The Man Whose Mind Exploded: Toby Amies’ envoi to his extraordinary friend Drako Oho Zarhazar

Jun 4th, 2013

I can’t wait to see documentarist Toby Amies’ envoi to his extraordinary friend Drako Oho Zarhazar.

Over the last year or so when we have bumped into each other socially, Amies has shown me snippets on his phone. Each tasty morsel has increased my hunger for this portrait of the late Brighton dweller Amies describes as “muse for Dali, actor for Jarman, dancer at Les Folies Bergère, outsider interior decorator, hero and legend”.

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