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In praise of David ‘Piggy’ Worth: Tony Hall’s unpublished photographs of the great British collector, male model and stylist


//David “Piggy” Worth and Judy Nylon at the back of the building which housed his basement flat, Edith Grove, World’s End, London, 1971. Photo: © Tony Hall. No reproduction without permission//


//Worth in Ossie Clark snakeskin coat, Brompton Cemetry, west London, 1971. Photo: © Tony Hall. No reproduction without permission//


//On West Pier, Brighton, 1971. Photo: © Tony Hall. No reproduction without permission//

“Piggy was a special dreamer” Judy Nylon

“Piggy got me my first job with Helmut Newton” Yvonne Gold

“He was an amazing character, funny, exuberant, outgoing, such fun to be with. Everybody wanted to be his friend” Tony Hall

Before David Gandy, before Nick Kamen, there was David “Piggy” Worth.


//With Graeme Edge’s girlfriend at the Moody Blues’ drummer’s apartment, Bayswater, west London, 1971. Photo: © Tony Hall. No reproduction without permission//


//In a jacket from King’s Road outlet Alkasura with Graeme Edge’s girlfriend in Ossie Clark ensemble, Bayswater, 1971. Photo: © Tony Hall. No reproduction without permission//

His unique presence enlivened the flat world of male fashion in England in the early to mid-70s, but the late Worth wasn’t just a model; he was also a clever stylist and a nonpareil antiques and vintage collector.


//In the recording studio at Graeme Edge’s apartment in Bayswater, 1971. Photo: © Tony Hall. No reproduction without permission//

Today Worth – whose modelling pseudonym was a mickey-take of Twiggy’s – is also remembered as a symbol of exotic London’s all-but lost 1970s demi-monde, as evinced by this series of photographs taken by his friend Tony Hall.

Featuring props and clothing from Worth’s vast collection, this is the first time these images have been published in 45 years after Hall came across a box of negatives.

At the time they were taken, Hall was a 19-year-old trying to catch a break into photography while Worth – who was a couple of years older – was working as a window dresser for John Stephen’s Carnaby Street empire and harboured ambitions to move into fashion.


//Fifties-themed shoot with Nylon, at the back of Worth’s Edith Grove flat, west London, 1971. Photo: © Tony Hall. No reproduction without permission//

They were taken in a variety of locations, including Worth’s grotty Chelsea flat – just down the road from the infamous and equally down-at-heel abode of some of the Rolling Stones a decade earlier – and a plush Bayswater apartment owned by an acquaintance, Graeme Edge, drummer of the Moody Blues.

“David had a passion for clothes and antiques, particularly from the 20s and 30s and a lot of Art Deco and Art Nouveau,” says Hall, who was brought up in Chelsea’s Bohemian World’s End neighbourhood, where Worth lived in a basement flat in Edith Grove, south of King’s Road.

“I used a second-hand Pentax S1a,” recalls Hall. “The way we worked was usually pretty spontaneous and very much a collaboration. We would come up with ideas together and just go for it. Neither of us were prima donnas or precious.”

In Worth’s circle were the likes of the American artist/writer/thinker Judy Nylon, who lived at 14 Edith Grove and appeared in some of the photos. I am grateful to artist Duggie Fields for identifying the New Yorker Gaby Longhi, who appeared in Andrew Logan’s Alternative Miss World competitions and was later an editor at Glamour and Vogue in her native New York.  Among Worth’s friends was the British make-up artist Yvonne Gold and members of the crowd congregating around Malcolm McLaren and Vivienne Westwood’s World’s End outlet Let It Rock.

The identities of the other models in these images have been lost to time. I identified Nylon, while Hall recalls that the female in the Edge apartment shots was the drummer’s girlfriend at the time. Any help in ID-ing her and the model with Worth in the canal-side shot would be gratefully received.


//Another Fifties-themed shoot with Nylon, at the back of a King’s Road cafe, west London, 1971. Photo: © Tony Hall. No reproduction without permission//

“I remember he had all the props from window dressing at John Stephen as well as Art Nouveau mannequins and statues draped in ropes of pearls, which I wore to Biba’s black and pink-themed New Year’s Eve fancy dress ball,” says Gold. “Piggy also got me my first modelling job, for a drinks brand with him and me shot in the World’s End pub by Helmut Newton.”


//With Gaby Longhi, Highgate Cemetry, 1971. Photo: © Tony Hall. No reproduction without permission//


//With Gaby Longhi at Adel Rootstein’s mannequin showroom in Shawfield Street, Chelsea, 1971. Photo: © Tony Hall. No reproduction without permission//

Seeing Hall’s  photographs for the first time in more than four decades has prompted a flood of memories from Nylon, who is preparing a post which I will feature here soon.

“What attracted me to Piggy, since I was new in town, was the urban archeology of his possessions displayed in his flat,” says Nylon.  “I am from Boston, one of the great museum/anthropology towns; he made me cups of tea and let me poke around his collections.

“This world was pre-video and not in the lineage of fashion at all, close to film, because of the continuity details and the fact the photos were often done in series, but also close to the music world because, like music performers, the models didn’t become ‘characters’, rather they slipped into a character/situation remaining more or less themselves with their own clothes and makeup. Piggy was a master of this. His ability to project a different self was something I later saw in Adam Ant.”


//With unidentified model, Grand Union Canal, north London, 1971 . Photo: © Tony Hall. No reproduction without permission//


//Worth’s collection of vintage clothing and artefacts was utilised by Shirley Russell for the sets and actors in her husband Ken’s 1971 film The Boyfriend. Worth celebrated the fact by having a special sweater knitted for himself//

I well remember Worth for his out-there personality; by the mid 70s he had become a major collector of Beatles ephemera and sported a mop-top (pretty much as he does in some of these photos) with an original collarless Dougie Millings suit and Beatle boots and badges when he hung out with the likes of Jordan Mooney, the Sex and Seditionaries superstar assistant.

With his modelling career underway as the subject of photographs by the likes of Herb Schmitz (who Hall assisted), Worth continued window dressing for King’s Road fashion outlets including Tony Lonsdale’s Jean Machine at 163 (where DJ/filmmaker Don Letts worked for a period before joining Acme Attractions).


//Greased up at Edith Grove. Photo: ©Tony Hall. No reproduction without permission//

“Once David set up the window around this beautiful sequinned jacket but after an hour the management asked him to take it away because the customers were only interested in buying that rather than any jeans they had,” says Hall.

“David didn’t give a toss what people thought,” says Hall. “When we went to the premiere of The Boyfriend we were both dressed up to the nines in satin jackets, his with daffodils printed all over it. There were a group of people sending him up something rotten but he couldn’t care less.”


//With Hall in a much-prized, specially commissioned one-off Rupert The Bear jumper, early 70s. Photo © Tony Hall. No reproduction without permission//

In the 80s, his modelling days at an end, Worth became a porter at London’s Royal Marsden Hospital and also volunteered at weekends for 17 years to work with HIV and Aids patients and at Mother Teresa’s Missionaries of Charity Sisters. A colleague from the hospital informed Hall that Worth took early retirement about 10 years ago and that he subsequently heard that he had passed away, though this has not been verified.

‘It’s really sad; I wish I had tried to establish contact earlier,” says Hall. “I think David would have been very happy to see the photos after all this time. Though I say it myself, I think they stand up today. I have half a dozen framed and hanging in my office. I don’t think I’ll ever get bored of looking at them.”

Visit Tony Hall’s website, which has a section dedicated to the memory of David “Piggy” Worth, here.

*This post was updated on 16/10/16 with information from Duggie Fields. See his portrait of Gaby Longhi here.*

*Update on 18/10/16 regarding Worth’s charitable work in later life*

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Author: / Published: Oct 15th, 2016 / Category: 1930s, 1970s, 430 King's Road, Chelsea, Fashion, Fashion photography, Film, Film directors, Gay culture, Seditionaries, Sex / Comments: 6

6 Responses to “In praise of David ‘Piggy’ Worth: Tony Hall’s unpublished photographs of the great British collector, male model and stylist”

  1. Lloyd Johnson
    on Oct 15th, 2016
    @ 5:25 pm

    David/ Piggy was a real sweetheart…whatever happened to him?
    we did a Johnson & Johnson Christmas Card with Piggy and David Clay modelling , sadly David Clay passed away years back….

  2. Paul Gorman
    on Oct 16th, 2016
    @ 2:16 pm

    Hi Lloyd

    This mentions that it seems likely David/Piggy passed away about five years ago or so.

  3. Lani Devaney
    on Oct 16th, 2016
    @ 10:37 am

    David also lent his 30s clothes collection to Shirley Russell who used them in the film The Boyfriend directed by her husband Ken. We all went to the premier wearing some of the clothes – my sister Rosie wore one of his dresses covered in sequins which were scattered down the aisle of the cinema!

  4. Paul Gorman
    on Oct 16th, 2016
    @ 2:15 pm

    Thanks for your comment Lani; Tony mentions that in the post.

  5. dick wyatt
    on Aug 3rd, 2017
    @ 3:16 pm

    I worked with David (along with a lot of others!) in Carnaby Street in 1972. I worked for John Stephens too, as a salesman in various shops owned by Stephens and remember David fondly. He worked with a nice girl who had light red hair, sadly cannot remember her name now. I remember I turned up for work one day with a coca cola tank top jumper and he loved it and wanted one. His face always reminded me of Paul McCartney at the time – a nice guy.
    I saw him on TV one night in an advert for an Airway – British Airways I think, saw it several times and I was very excited as I knew someone on the telly!
    I bumped into him again in the eighties when I went to the antique centre in the Kings Road – Antiquarius . I was selling a roll of Beatles plastic shower material in pink covered with pics and autographs of the fab four. It was unusual and fabulous and he bought it off me. He had a stall there filled with Beatle ephemera There was a shitload of material ( about 20 metres ). Got about 60 quid from him.
    I went back to Chelsea a few weeks later and it was all over the place – on chairs and various pieces of furniture in all the shops and stalls- he must have flogged it to loads of people – David done well!
    Nice to see these pics and his soulful face again -RIP

  6. Paul Gorman
    on Aug 4th, 2017
    @ 9:06 am

    Thanks Dick; these are lovely memories. P

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