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Flashback to Hawkwind + Pink Fairies at The Roundhouse 1975 as Nik Turner’s trademark claim sparks hostilities

Oct 18th, 2013

//Top: Stacia Blake weaving her magic onstage at The Roundhouse in 1975. Photo: Paul Apperley. Above: Peter Lavery's photo of Russell Hunter from the insert in the Pink Fairies' 1973 album Kings Of Oblivion. Posted on the Facebook Portobello Shuffle group by Ian Nottnotw Edmondson//

Sad to witness Hawkwind, the great British musical force which has carved out a unique position outside of the mainstream music business over several decades, dragged into a tawdry row regarding ownership of the group’s name.

The dispute has been sparked by  saxophonist/flautist/sometime frontman Nik Turner. It seems he is trademarking the group’s name as a touring entity in the US, even though he hasn’t been a member for a long time.

Turner was in the line-up during Hawkwind’s greatest period, 1970-76, and returned sporadically until a parting of the ways with Dave Brock, generally acknowledged as Hawkwind’s founder and the band’s one constant, at the helm for all 44 years of its existence.

If scans of signed US documents circulated online prove to be authentic, Turner’s registration in the US – where he has just toured under the banner Nik Turner’s Hawkwind – denies the existence of any other entity of that name operating in the field of live performance. This undercuts his claims in the American press that he wants to spread peace and harmony by invoking Hawkwind’s name and has enraged a section of the fan base.

Brock meanwhile has cancelled his Hawkwind’s American tour on the basis that he – at 72, a year younger than Turner – is suffering from a stress-related illness as result of the dispute.

//Barney Bubbles poster for Sunday bill at The Roundhouse, 1975//

//I went with my friend Matthew Cang. He kept his ticket//

This is all a long way from the relative harmony in the ranks when I fell under their spell as a teenager. I saw Hawkwind a few times, at the Edmonton Sundown or the Dagenham Roundhouse in north-east London and at a free festival in Harlow New Town, Essex, but one particular concert in February 1975 when the ensemble played Camden Town’s Roundhouse with the Pink Fairies stays in the memory.

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Memories of Mick Farren: An entertaining afternoon in West Hollywood and a champagne-drenched night in Islington

Jul 31st, 2013

//’Mick Passes Shirley, 1955′  Illustration for a feature about growing up in the 50s by Mick Farren, Club International 1975 by Hollyhead/NTA from an idea of George Hardie’s//

Growing up in London in the 60s and 70s with an interest in the counterculture, music and street politics meant that the shaggy-headed figure of Mick Farren loomed large on the landscape.
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Feast your eyes on this Barney Bubbles rarity

Feb 4th, 2013

A little-known design by Barney Bubbles – the graphics genius and subject of my book Reasons To be Cheerful – has emerged.

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For the first time in 36 years the whole article: Forum June 1976 featuring SEX + Incognito Leather

Oct 25th, 2012

//Photo detail (from left): SEX customers Danielle, Alan Jones + Chrissie Hynde; Vivienne Westwood; assistant Jordan.//

As a follow-up to my recent post about the rarely seen 1975 interview with Malcolm McLaren in soft porn mag Gallery International, here is another exclusive: for the first time since publication in June 1976, the full article featuring McLaren and Vivienne Westwood’s shop SEX in British sex guide Forum.

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Dancing: Sharpies do the eagle rock

Jul 22nd, 2011

Australia’s Daddy Cool scored a big home hit in 1971 with sub-Stones strut Eagle Rock, which soon became a wedding party staple.

Four years later when they headlined The Australian Concert For Bangladesh at Melbourne’s Myer Music Bowl Daddy Cool were about to be consigned to the oldies bin by the band which was sixth on the bill that day, AC/DC.

AC/DC had been propelled locally by teenage Sharpie fans, a group of whom are seen here stepping out with a mickey-taking version of the Eagle Rock boogie which mutates into their dance, The Melbourne Shuffle.

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Television: Vivian Stanshall – One Man’s Week 1975

Jul 11th, 2011

Broadcast on April 9, 1975, this episode of BBC series One Man’s Week captured Vivian Stanshall at a career high.

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Charles Shaar Murray on Clarence Clemons

Jun 21st, 2011

Lean on me: Clemons + Springsteen in Eric Meola's Born To Run cover shot.

Here is Charles Shaar Murray’s contribution to my Clarence Clemons obit in today’s Daily Telegraph; his quotes fell victim to space considerations.

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Sleevenotes: Lowell George (The Last Record Album,1975)

Feb 25th, 2011

Little Feat records were something else, but then again Little Feat were something else.

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Memories of SEX in Forum magazine

Jan 31st, 2011

//Steve Jones, Unknown, Alan Jones, Chrissie Hynde, Jordan, Vivienne Westwood. Photo: David Dagley/Rex Features.//

SEX became a magical place.  People spent hours there; no one wanted to leave.  In it, I created a feeling that was both euphoric and hysterical. You felt an enormous range of possibilities – that whatever was happening couldn’t be predicted, but it was a movement toward a place unknown.

Malcolm McLaren, Musical Paintings [JRP Ringier 2008].

One of the most prescient pieces published about 430 King’s Road in its incarnation as SEX appeared, appropriately enough, in sex magazine Forum in the mid-70s.

And, after more than 35 years, I’ve tracked down the writer and the photographer who, for the first time anywhere, recall the revolutionary retail environment and the sexually-charged photo-shoot featuring future Sex Pistol Steve Jones, performer Chrissie Hynde, radical shop assistant Jordan, film-writer Alan Jones and, of course, Vivienne Westwood.

The feature appeared in the June 1976 issue of the magazine and was written by expat American Forum staffer Len Richmond, later to pen hit British sitcom Agony and Three’s Company (the US version of the UK’s Man About The House). The photographer was Chelsea-based freelance David Dagley.

“In 1973 I’d arrived in the UK from San Francisco with 300 bucks in my pocket and found that I could work as a journalist because nobody cared about whether I had a green card,” explains Richmond down the line from Los Angeles.

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