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‘Blowing up bridges so there is no way back’: Malcolm McLaren, Situationists + Sex Pistols remembered by Fred Vermorel in new exhibition catalogue

Nov 16th, 2015
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//Front and back cover designs//

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//Pages on McLaren including image of the 1977 God Save The Queen muslin top designed with Vivienne Westwood and featuring Jamie Reid’s graphic and lyrics for the Sex Pistols track//

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//Vermorel’s memoir includes images of McLaren’s student work such as this mixed media piece produced while on a fine art course at Goldsmith’s College in 1969//

Considered as an artwork, a two-and-a-half year project, and in its own terms, McLaren’s Sex Pistols’ was as seminal and resonant as Picasso’s Guernica.

Only this was a masterpiece made not of paint and canvas but of headlines and scandal, scams and factoids, rumour and fashion, slogans, fantasies and images and (I almost forgot) songs, all in a headlong scramble to auto-destruction.

For it was equally a Situationist treatise-by-example, the unremitting and obdurate core being McLaren’s grasp of the theory of situations as proposed by the SI.

Indeed, the story of the Pistols is a Situationist textbook of how to create situations from which there is no return. You refuse to negotiate, to compromise, to be co-opted, you exacerbate every crisis and recklessly play loser wins and then you blow up all the bridges so then there is no way back.

We are then forced to invent another future. Or maybe simply relish the mess, “the ecstasy of making things worse”.
From Fred Vermorel’s memoir which appears exclusively in the new exhibition catalogue.

The catalogue for the exhibition Eyes For Blowing Up Bridges is now available.

The lavishly illustrated 100-page book includes a foreword by John Hansard Gallery’s Ros Carter and Stephen Foster, my introduction, an essay by co-curator David Thorp and a specially commissioned memoir of Malcolm McLaren and his connections to post-war radicals by his art-school friend and collaborator Fred Vermorel.

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When The Runaways guitarist Lita Ford raffled her McLaren/Westwood I Groaned With Pain t-shirt

Oct 5th, 2015
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//From Poster, 1977. Note Ford signed the front of the shirt//

I am indebted to IG pal and fan of this blog Kjell Magnusson for this 1977 magazine photo of The Runaways’ guitarist Lita Ford presenting her I Groaned With Pain t-shirt for a raffle in Swedish teen title Poster.

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//The Runaways on the cover of Poster No 8, 1977//

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//The panel offering the raffle prizes for Poster readers//

In the light of the revelations about the abusive nature of the group’s relationship with the late, unwholesome manager Kim Fowley, Ford’s choice of item for the Poster magazine raffle was less seamy than those made for vocalist Cherie Currie and bass-player Jackie Fox, whose knickers were donated (guitarist Joan Jett sensibly chose a bracelet and drummer Sandy West a miniature drumstick).

Mclaren 'I groaned...'

//T-shirt with central tear on mint jersey with exterior seaming, unlabelled, Malcolm McLaren and Vivienne Westwood, 1974. 380mm x 365mm. © Malcolm McLaren Estate. Photo: Adrian Hunt//

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//I Groaned With Pain t-shirt on pink with twin ball-and-chain chest zip inserts. © Malcolm McLaren Estate//

The I Groaned shirt is one of the series with zips designed by Malcolm McLaren and Vivienne Westwood and sold through their outlet Sex at 430 King’s Road between 1974 and 1976. The shirt was favoured by female performers of the period, including Viv Albertine, Little Nell Campbell and Chrissie Hynde.

There are two variants of the design in the current exhibition Eyes For Blowing Up Bridges at Southampton’s John Hansard Gallery. One is a very early deliberately ripped example produced in mid-1974 when 430 King’s Road was between names (the decision had been taken to abandon the previous title Too Fast To Live Too Young To Die).

This is why it doesn’t have a label. McLaren had yet to design the distinctive “SEX Original’ woven blue-on-pink tag, which was manufactured under his instructions by a supplier in Portugal.

The other shirt is the same type as Ford’s and does have a label.

I wrote about the genesis and realisation of I Groaned With Pain here.

Eyes For Blowing Up Bridges: Joining The Dots From The Situationist International To Malcolm McLaren is at John Hansard Gallery until November 14. Find out more here.

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You are invited to drift… Map-style guide to Eyes For Blowing Up Bridges

Sep 25th, 2015

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The exhibition guide for Eyes For Blowing Up Bridges – which opens this Saturday (26th) at Southampton’s John Hansard Gallery – is in the style of a map, as a riff on the psychogeographic tendencies of the Situationists (maps produced by their figurehead Guy Debord are among our exhibits).

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