Paul Gorman is…

Eight Young Photographers: David Parkinson’s mould-breaking contribution to the 1971 exhibition

Nov 22nd, 2016
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//David Parkinson in the Eight Young Photographers catalogue, 1971. Image courtesy Mark Trompeteler//

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//Front, catalogue/fold-out poster, for the show which ran at the Photographers Gallery in Great Newport Street from April 6 to May 2, 1971. Courtesy Mark Trompeteler. No reproduction without permission//

Eight Young Photographers was the third exhibition to be held at the newly-opened Photographers Gallery at its original premises in Great Newport Street in London’s West End.

The gallery opened in January 1971 with a group show entitled The Concerned Photographer featuring, among others, Robert Capa, and followed that by simultaneously staging three exhibits, including a display of Polaroids taken by Andy Warhol.

Visitors to Eight Young Photographers, which ran during April and into early May that year, recall it as being an important staging post in the acceptance of photography as a subject worthy of artistic appreciation. Among the contributors was the late David Parkinson, about whom I have written often. He showed work alongside Mark Edwards, Meira Hand, Roger Birt, Sylvester Jacobs, Tim Stevens, Bob Mazzer and Mark Trompeteler (who has kindly retrieved the catalogue/poster for me from his archive).

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//From the Photographers Gallery listings. The show was preceded by an exhibition of Andy Warhol’s Polaroids//

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Sheila Rock: Early fashion styling captured the development of British menswear in the 70s

Sep 21st, 2016
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//Phil Lynott, styling Sheila Rock, photography Mick Rock, Club International, October 1973//

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//The Gentlemen At Number Ten, styling Sheila Rock, photography David Parkinson, Club International, December 1973//

To celebrate the opening next week of a new exhibition of work by photographer Sheila Rock, here is a selection of her early fashion styling.

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Available now: Limited edition prints of two breathtaking David Parkinson works

Mar 4th, 2016

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David Parkinson
The Continental Bentley, Club International, Volume 3, No 5, 1974
Photo satin print poster
Ed. 20 + 5 AP
Printed 2016
£90 VAT INCLUSIVE

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David Parkinson
Untitled
Entry for final year project, photography course, Regent Street Polytechnic, 1970
Photo satin print poster
Ed. 20 + 5 AP
Printed 2016
£90 VAT INCLUSIVE

“David Parkinson’s sensuous, gritty photographs challenge the viewer to conflate sex with advertising”
Maisie Skidmore, Another Magazine

Two breathtaking works by the late fashion photographer David Parkinson are being made available in a special limited edition to coincide with The Conformist, the exhibition currently staged at Mayfair’s Belmacz Gallery.

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The Conformist: A vibrant, eccentric, chaotic delight – miss out at your peril!

Feb 23rd, 2016
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//Leporello for The Conformist featuring (far left), David Parkinson’s unusual entry in his 1970 photography degree show at London’s Regent Street Poly//

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//Paul Kindersley at last night’s exhibition opening//

The Conformist – artist Paul Kindersley’s counter intuitively-titled group show about non-conformity of expression from Emma, Lady Hamilton and Aubrey Beardsley to Marvin Gaye Chetwynd and Julie Verhoeven – opened with a bang last night with a private view at Mayfair’s art and jewellery space Belmacz.

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Cult: David Parkinson’s street style photos in Men Only August 1971

Dec 15th, 2015
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//Dinah Adams and friend, Eastbourne, Sussex, summer 1971. Photo: David Parkinson. No reproduction without permission//

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//From Men Only, Vol 36, No 8, 1971//

Thanks to artist Paul Kindersley for alerting me to the fact that images from an audacious photo-shoot by the late photographer David Parkinson were featured in an early 70s issue of Paul Raymond’s adult magazine Men Only.

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Cosey Fanni Tutti’s Aggro Chic intervention in Club International

Nov 12th, 2015

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A few months before Cosey Fanni Tutti upset the apple-cart as a member with Genesis Breyer P. Orridge of COUM Transmissions – the “wreckers of civilisation” who staged the Prostitution exhibition at London’s ICA – the performance artist/musician posed with another model for a 1976 issue of men’s magazine Club International.

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‘Gorman sidesteps the obvious’: Praise from Gwarizm for my contribution to PRINT @ SHOWStudio

Aug 6th, 2015

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It’s flattering to receive praise from a tastemaker of the standing of Gary Warnett, who has posted on his Gwarizm blog about my recent cult magazine chat with SHOWStudio editor Lou Stoppard for her Print project.

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Print @ ShowStudio: Lou Stoppard on the abiding allure of inspirational and off-the-map magazines

Jun 26th, 2015

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//Magazines from my archive (clockwise from top left): Creem, August 1974; Grand Royal #3, 1995; Club International, August 1973; Harpers & Queen, October 1976//

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//After Dark, September 1974; Ben Is Dead #26, 1996//

I’m one of the contributors to Print, writer Lou Stoppard’s forthcoming celebration of the great fashion and music magazines of the past and present.

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A cause for celebration: Digitisation of all 239 issues of Spare Rib

Jun 2nd, 2015

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Great news that the British Library has digitised the archive of one of the most important magazines of modern times: Spare Rib.

If you don’t know it or haven’t seen the publication, you are in for a treat. As the British Library’s politics and public life curator Polly Russell says, Spare Rib was “funny, irreverent, intelligent and passionate… a product of its time which is also somehow timeless”.

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Of ties and men: The neckwear connection between Bryan Ferry, Malcolm McLaren and David Parkinson

Jan 17th, 2015

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//Malcolm McLaren, 1973. Photo: David Parkinson. Bryan Ferry, 1976. Photo Richard Wallis//

A couple of years back I showed examples of photography by the late David Parkinson to car-nut graphic design maestro Jules Balme; I knew he would be interested in the incorporation of a 1959 Cadillac Eldorado in a 1973 Let It Rock fashion shoot.

What drew Balme’s eagle eye was not the car fin detail, but the fact that Malcolm McLaren in the shot below sported a tie of the same distinctive Atomic-style 50s pattern as worn by Bryan Ferry in the video clip for his 1976 solo hit Let’s Stick Together (and subsequently on the sleeve of the compilation of the same name rushed out to capitalise on the single’s success that year).

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//McLaren and models in Let It Rock attire – right are examples of the so-called “Alan Ladd” and “Jazz” suits – photographed in Acre Lane, Brixton for Club International by David Parkinson, summer 1973//

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