I’m looking forward to appearing at Pop Up, the subcultures festival being held in the Gloucestershire town of Stroud next month.
I’ll be comparing and contrasting the work of Barney Bubbles with that of his rivals Hipgnosis in the 70s and 80s with Mark Blake, author of the new book about the British music design studio and Pop Up organiser and writer Ben Wardle.
//Front Cover, Peter Gabriel, Charisma Records, 1977. Design: Hipgnosis//
As it’s Mother’s Day we’d like to dedicate this to all the absent mothers of the young boys here tonight. I’m sure if they were here tonight they’d wonder if it was worth all the money they’re paying.
Genesis P. Orridge introducing the TG set at Oundle, March 16, 1980.
On a Sunday in 1980, Throbbing Gristle gave an hour-long performance before 70-or-so teenage boys and a few teachers at Oundle School in Northamptonshire.
Chris Carter, the late Peter “Sleazy” Christopherson, Genesis P. Orridge and Cosey Fanni Tutti were booked by 17-year-old pupil Nigel Jacklin, who had previously corresponded with P. Orridge. As head of the boarding school’s “Rock Soc”, Jacklin was entitled to choose one band a year to play a concert there and apparently hoodwinked teachers by telling them that TG’s music was akin to that of minimalist composer John Cage.
A few months before Cosey Fanni Tutti upset the apple-cart as a member with Genesis Breyer P. Orridge of COUM Transmissions – the “wreckers of civilisation” who staged the Prostitution exhibition at London’s ICA – the performance artist/musician posed with another model for a 1976 issue of men’s magazine Club International.
| Paul Gorman is a writer. This is his blog: art, books, conversation, cults, dancing, design, encounters, environments, events, film, galleries, groups, individuals, invitations, magazines, music, opinions, performance, photography, places, press, privacy, spaces, style, thoughts + views. |
© 2009 Paul Gorman is…. All Rights Reserved.
This blog is powered by Wordpress and Magatheme by Bryan Helmig.
Recent Comments