Paul Gorman is…

Inside Fiorucci’s first store in Milan in the early 70s

Aug 5th, 2022

//Interior of the first Fiorucci boutique, Galleria Passerella, Milan, 1972//

I am extremely grateful to artist and designer Paul Walters for his gift of dozens of issues of Design magazine dating to the dawn of the 1970s.

These are being catalogued and added to the collection I already have of the title; some were donated by Paul’s fellow artist and designer Steve Thomas a few years ago.

Design was founded in the mid-60s by the Design Council precursor the Council of Industrial Design, and back issues are a goldmine of visuals and text about most aspects of the design world, from interiors, posters and packaging to product innovation, architecture and popular culture.

//The report on the store opening in Design, December 1972//

I’m going to post a selection of stories that have caught my eye over the coming months, starting with the image at the top of the post: a rarely seen view inside Elio Fiorucci’s first boutique, which he opened in Milan’s Galleria Passerella in late 1972.

Fiorucci was much inspired, to put it politely, by Trevor Myles and Tommy Roberts’ pop-art fashion outlet Mr Freedom – which had gone out of business in the spring of 1972 – and commissioned artist Stan Peskett, who had produced murals for Roberts, to create a space which engaged customers with a similar energy: the yellow and red colour scheme was extended to the exposed piping and venting with insignia of sunrays emanating from fluffy clouds hovering over the clothing racks.  Stan, who I interviewed  a couple of years ago for my Malcolm McLaren biography, has described his interior for Fiorucci as ‘an installation’.

//Advert in Design, December 1972//

//Spread from fashion shoot featuring Mr Freedom designs, Nova October 1971//

Coincidentally, an ad in the same issue of Design featured an image of a model in Mr Freedom clothes which had appeared in Nova magazine the previous year.  The advert was for the architecture and interiors publication Abitare, which continues to this day – see here.

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My essay on the Malcolm For Mayor campaign in DB Burkeman’s Stickers Vol 2: More Stuck-Up Crap

Jun 10th, 2019

//My essay on Malcolm For Mayor with stickers by Scott King and Matthew Worley//

“The sticker may be the most efficient art form ever invented”

Jeffrey Deitch, 2019

I have an essay in DB Burkeman’s just-published follow-up to his 2010 survey of the use of audacious and eye-catching stickers in art, design, fashion, music and social activism.

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Furniture Pimp: Unique pieces from the collection of Jim Walrod, connoisseur and floating free radical

Apr 18th, 2018

//Catalogue cover featuring detail of Tête Cultivée, Nicola L, 1970//

As befits a sorely-missed man of singular style and taste, the catalogue for the forthcoming sale Furniture Pimp: The Collection Of Jim Walrod is an absolute treat.

//Right: Walrod at home photographed by Collin Hughes; Left: works featured in the forthcoming sale//

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Jim Walrod August 25 1961 – September 23 2017

Sep 30th, 2017

//Jim Walrod, 2012. Photo: Jeremy Liebman//

I said many times to Jim – and have reflected on this over the last few days – that not many people get to pursue their passion every day of their adult lives. Jim did that. He never went to ‘work’. He did not care if he made money doing it, he just wanted to be able to have you understand what he saw and to have your opinion on it.
Kathy Walrod

Jim Walrod, who has died aged 56, occupied a unique position in the world of international design.

A collector, curator, writer and sometime retailer, as well as an interior designer and locator of unusual and one-off furniture and lighting pieces for a diverse selection of celebrity and private clients, the rangy, sandy-haired Walrod cut a singular figure.

Enthusiastic, informed and slyly humorous, Walrod was founder with Jack Feldman and Fred Schneider of the B-52s of New York’s important 90s/00s store Form & Function and described as “the ultimate design raconteur” by hotelier André Balazs.

To Mike D of the Beastie Boys he was “the furniture pimp”, an accolade won in part for having sourced Memphis designs for David Bowie (Jim revealed to me just a few weeks ago that some of these Italian PoMo pieces came via Tommy Roberts, subject of my book Mr Freedom).

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I Knew Jim Knew: Jim Walrod knows a thing or two…

May 27th, 2014
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//Jacket photograph Terry Richardson with shots from Walrod’s Instagram feed//

Design authority Jim Walrod wears a deep and wide-ranging understanding of his subject – specifically that pertaining to modernism in furniture, interiors, product design and architecture  – lightly.

This is refreshing in a field populated by bloodless experts and humourless know-alls. The founder of important 90s/00s store Form & Function, Walrod –  described as “the ultimate design raconteur” by André Balazs and “the furniture pimp” by the Beastie Boys – is above all an enthusiast.

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Delirious New York: Legends Bobby Busnach + Gerry Visco, The Park Royal Hotel, the South Bronx scene and Boston’s The Other Side

Nov 22nd, 2013

//Gerry Visco in SEX Cowboys t-shirt and leather miniskirt, The Park Royal, NYC, 1976. © Bobby Busnach//

These captivating 70s images stem from the amazing photographic archive of New York DJ legend Bobby Busnach.

Many feature Busnach’s friend and muse, the fabulous writer/photographer/performer Gerry Visco, as well as the circles they moved in at NYC’s Park Royal Hotel, Boston disco/bar The Other Side and the nascent hip-hop scene in the South Bronx.

//Visco, Hillside Avenue,Boston, 1973. (c) Bobby Busnach//

//Donnie Ward, Hillside Avenue, 1974. © Bobby Busnach//

//Tony Roldan (centre) at the handball courts at 146th Street and Brook Avenue, the Bronx, 1976. © Bobby Busnach//

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