Paul Gorman is…

Exclusive: The ultimate Sex Pistols rarity – poster for first gig designed by Adam Ant

Nov 4th, 2015
Bazooka Joe Poster

//The poster was designed by Adam Ant (then Stuart Goddard) before the Pistols were added to the bill. Courtesy Daniel Kleinman. No reproduction without permission//

The poster for the Sex Pistols’ first performance (on November 6 1975 in the Common Room of St Martin’s School Of Art in central London’s Charing Cross Road) has been found after 40 years – and it doesn’t even mention them!

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Derek Boshier: Rethink/Re-entry – Works of the 1970s/Recent films & collages at Flowers Cork Street this autumn

Aug 25th, 2015

//The Dance, from the series News From The Metropolis, Derek Boshier, 2014. Ink and collage on paper//

DB - Stills Best Foot Forward 3

//From Best Foot Forward, Derek Boshier, 2014. Film//

To coincide with the publication of the Derek Boshier monograph Rethink/Re-entry, writer/curator Guy Brett and I are putting together an exhibition of the same name which will be held at Flowers Gallery in Cork Street, Central London this autumn.

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Derek Boshier: Clash art guru + original punk rocker!

Jan 27th, 2015
Daily Mail - Poem Of Hate

//Daily Mail – Poem Of Hate, 1977. Ink drawing and newsprint, 55 x 75cm. © Derek Boshier, courtesy Flowers//


//Drawing for CLASH 2nd Songbook, 1978. Ink on paper, 30.5 x 22cm. © Derek Boshier, courtesy Flowers//


//Hi Consumers! Don’t Forget Nothing Lasts Forever, 1978. Ink and collage on paper, 46 x 54.9cm. © Derek Boshier, courtesy Flowers//


//Drawing for CLASH 2nd Songbook, 1978. 33 x 22.5cm. © Derek Boshier, courtesy Flowers//

“Without hesitation, CLASH 2nd Song book is a masterpiece of graphic art”

Guy Brett, writer/curator

Interrogating materials for the Derek Boshier monograph has brought home the meshing of the artist’s sensibilities with punk in the 70s.

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Wild Westway Western Wear at the Joe Strummer Subway

Dec 15th, 2014




I first met artist/curator Robert Gordon McHarg III two decades ago, when he was developing a sadly unrealised television project based around the annual Christmas extravaganza conducted by our mutual friend, Robert Lopez, aka El Vez The Mexican Elvis.

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The Clash: Rare sketches by Derek Boshier in the Flowers Gallery archive

May 14th, 2014

//Sketch for songbook cover, 13 x 9″. Derek Boshier 1979 courtesy Flowers Gallery//

While interrogating materials for Rethink/Re-Entry – the monograph of artist Derek Boshier I am editing – I’ve come across many delights, including these sketches in the Flowers Gallery archive for one of the most visually striking documents of the post-punk era, CLASH 2nd Songbook.

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Derek Boshier: Rethink/Re-Entry – assembling the materials for long overdue monograph

Feb 5th, 2014

//Exhibition cards and private view invitations, 1973 to date//

I’m assembling materials for Rethink/Re-Entry, the long-overdue monograph of the great British artist Derek Boshier I am currently editing.

The book takes its title from the early Boshier painting which inspired rock’s ultimate art-directed star Bryan Ferry to choose the name Remake/Remodel for the first track on Roxy Music’s game-changing debut LP.


//Rethink/Re-entry, oil on canvas, 1962//

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Joe Stevens: Rare shot of Joe Strummer entering his punk rock future on the night of the Sex Pistols’ audience fracas

Sep 30th, 2013

//Joe Strummer, then frontman of the 101'ers, with bassist Dan Kelleher onstage at The Nashville Rooms, west London, April 23, 1976. Photo: Joe Stevens//

These photographs are among images to be featured in Clash Tales, Joe Stevens’ narrated audio-visual event about his experiences with The Clash at Sonny’s Tavern in Dover, New Hampshire, next week.

//The Clash bassist Paul Simonon, Electric Ladyland, August 1978. Photo: Joe Stevens//

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Derek Boshier: David Bowie + The Clash at Pallant House this summer

May 2nd, 2012

//Sketches for Lodger gatefold cover, 1979.//

//Front, Clash 2nd Songbook, Music Sales Ltd, 1978. 12" x 9", 60pp (inc covers).//

Artist Derek Boshier’s practice is marked by his engagement with contemporary culture; this has been a consistent aspect of his work since the earliest days of the British Pop movement.

When popular music has invigorated the wider world, Boshier has been present, incorporating Buddy Holly into his painting I Wonder What My Heroes Think Of The Space Race? in Ken Russell’s defining 1962 Monitor piece Pop Goes The Easel, and providing one of the most vivid visual documents of the punk and post-punk era, Clash 2nd Songbook.
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Blokes Of Britain: Chris Salewicz

Jun 16th, 2011

//Author image for US edition of Bob Marley: The Untold Story, 2009. Photo: Grzegorz Lepiarz.//

NAME: Chris Salewicz



Chris Salewicz is a neighbour and friend. My admiration for his work harks back more than three decades, when his words shone from the pages of the NME.

As detailed by In Their Own Write, this was no mean feat since Salewicz was part of the formidable team whose members included (deep breath): Max Bell, Angie Errigo, Pete Erskine, Mick Farren, Chrissie Hynde, Nick Kent, Nick Logan, Ian MacDonald, Kate Phillips, Charles Shaar Murray, Neil Spencer, Tony Tyler…

Now Salewicz deals in big subjects as an author, broadcaster and film-maker: his Strummer and Marley books capture the definitive portraits of these imposing figures, while involvement in such ventures as the documentary Beats Of Freedom denotes a mature reflection on his Polish roots.

In addition, Salewicz’s role as an aide-de-camp in Mick Jones’ ongoing Rock & Roll Public Library project betrays the highly attuned visual sensibilities conveyed in these, his answers to the Blokes Of Britain Questionnaire:

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Sleevenotes: Joe Strummer (Gonh Be Funky, 1980)

Feb 22nd, 2011

Sleevenotes make a vinyl record package complete.

When they appear with CDs they’re just too diddy; on a 12-inch sleeve they’re writ large. Like good sleeve design, the best text – whether scrawled or neatly arranged – enhances and delights.

This is Joe Strummer’s contribution to Charly Records’ rock-solid 1980 Lee Dorsey collection Gonh Be Funky, compiled by Cliff White (who was responsible for an incomparable run of reissues around this time).

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