Paul Gorman is…

‘Suburban voodoo is what he did do, so well’: Last two days of Barney Bubbles exhibition at Rob Tufnell London

Sep 22nd, 2017

//Back Cover, Jesus Of Cool, Nick Lowe, Radar Records, 1978. Photo: Bob Bromide. Design © Barney Bubbles Estate//

//Back cover, Darling Let’s Have Another Baby/Something Else/It Really Digs, Johnny Moped, Chiswick Records, 1978. Design © Barney Bubbles Estate//

//Clock, Stiff Records, 1978. Design © Barney Bubbles Estate//

//Front, Life’s A Riot With Spy Vs Spy, Billy Bragg, Utility, 1983. Design © Barney Bubbles Estate//

“In graphics, in the music business at least, Barney pioneered the use of everyday objects in his work. He could see the design and the beauty in the apparently banal”
Suzanne Spiro, artist

The Barney Bubbles exhibition Optics & Semantics at London gallery Rob Tufnell closes tomorrow evening; if you have a chance, do go along and enjoy the late graphic arts maestro’s unique celebrations of the mundane and workaday.

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Signed copies of the Barney Bubbles book now for just £20 UK!

May 23rd, 2016

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Signed copies of Reasons To Be Cheerful, my acclaimed monograph of the radical British graphic artist Barney Bubbles, are now available from my eBay page for just £20 inc shipping in the UK.

Overseas shipping via eBay’s Global Shipping programme is subject to extra charges.

Otherwise you can buy by or paying via PayPal to this address at the following prices:

UK – £20

Continental Europe: £25

US: £30

Japan/Australia: £35

 

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Buy your copies here.

As well as a celebration of a pop culture great, Reasons To Be Cheerful is recognised as a significant design history, praised by leading magazines and newspapers around the world and voted MOJO’s book of the year . It is also a recommended reference source for graphics communications courses at leading educational institutions.

Reasons To Be Cheerful includes contributions from some of the most important graphic practitioners operating today, such as Art Chantry, Malcolm Garrett and Peter Saville.

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Brian Griffin: Capitalist Realism opens today at Steven Kasher Gallery

Feb 25th, 2016
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//Rush Hour London Bridge, London, 1974. Vintage gelatin silver print, printed c. 1974 12 x 16in//

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//Martin, Elsynge Road, Wandsworth, London, 1977. Gelatin silver print, printed January 2016 20 x 16in//

It’s exciting to note the opening today of photographer Brian Griffin’s first US solo show, Capitalist Realism at New York’s Steven Kasher Gallery.

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Seven works by Barney Bubbles feature in Making Music Modern: Design For The Eye & Ear at MoMA

Jan 26th, 2015

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//Left: Poster, 30 x 20″, one of a series of four, for Generation X residency at The Marque, Soho, London, September 1977. Right: Poster, 60 x 40″, one of a series of five for Stiff Records package tour of UK, October/November, 1977. Design (c) Barney Bubbles Estate//

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//Installation view of Making Music Modern dominated by Bubbles’ Costello poster. Also note his Do It Yourself sleeve and Generation X poster. Photo: John Wronn//

New York’s Museum Of Modern Art is featuring seven works by the late graphics maestro Barney Bubbles in the current exhibition Making Music Modern: Design For The Eye & Ear.

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Johnny Moped at the ICA: A cure for cookie-cutter rock-doc fatigue

Dec 11th, 2013

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Here’s a cure for year-end cookie-cutter rock-doc fatigue.

Basically Johnny Moped, Fred Burns’ exemplary documentary about Paul Halford (aka punk rocker Johnny Moped), has been selected for a week of screenings at London’s ICA.

The mini-season kicks off next Tuesday night with a post-film chat and q&a with Moped conducted by Burns.

Tickets available here.

Find out more about the film here.

 

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“Bring me your dented and bent out of shape”: Johnny Moped documentary is on the way

Jun 3rd, 2013

//Johnny Moped, Dave Berk, Fred Berk, Slimy Toad, 1977. Photo: Chiswick Records//

In an age clogged up with boil-in-the-bag popular music documentaries, I’m looking forward to Fred Burns’ Basically, Johnny Moped, about the unpredictable outsider who emerged via associations with The Damned and Chrissie Hynde during the post-punk period to strut and fret his hour upon the stage.

Moped and his band – Dave and Fred Berk and Slimy Toad – were out and about a lot in 1977 and 1978; I caught them a couple of times, once as part of a bigger bill at Camden Town’s Music Machine (now Koko) and another time in the West End (possibly The Marquee).

Their single Darling, Let’s Have Another Baby was (and remains 35 years later) a stand-out song of the period and Barney Bubbles’ artwork for that and other Moped releases and promotional material sealed the deal.

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