Paul Gorman is…

‘What goes into a Continental Keyhole?’ How Malcolm McLaren conjured the name ‘Kutie Jones and his Sex Pistols’ from the seamy 50s and 60s Britporn mags strewn around 430 King’s Road

Feb 10th, 2020

In October 1974 Malcolm McLaren conjured an unusual group name for four young musicians who congregated at his shop at 430 King’s Road.

//The group name as it appeared on the ‘right’ side of the You’re Gonna Wake Up t-shirt//

At the time the transition from the premises’ previous incarnation as Too Fast To Live Too Young To Die to Sex was nearing completion; in fact the teenagers Paul Cook, Steve Jones, Glen Matlock (who was also a sales assistant on Saturdays) and Wally Nightingale assisted McLaren in applying the finishing touch with the erection of the pink vinyl shop sign constructed at his direction by carpenter Vic Mead.

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Identified! The ‘strange boy in drag’ at Pierre Laroche’s breakfast with Ossie Clark, Marianne Faithfull + Michael Roberts in 1974

May 7th, 2012

//According to artist Kevin Whitney, the "strange boy in drag" was the German fashion model Jurgen (surname not known).//

A couple of months back I wrote about a photo-session conducted at David Hockney’s Notting Hill house* in May 1974 by photographer Willie Christie.

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The mystery of Pierre Laroche’s Breakfast, The Who at Charlton + the tragic demise of Alkasura’s John Lloyd

Mar 22nd, 2012

Pierre's Breakfast, 1974, by Willie Christie.

I am beguiled by this photograph, which is entitled Pierre’s Breakfast and was taken by Willie Christie at David Hockney’s house in Notting Hill on May 18, 1974.

The identities of the two individuals on the left are a mystery*; with Clark (in the white jumpsuit) are make-up artist Pierre Laroche, Marianne Faithfull and Michael Roberts (then writer/photographer at The Sunday Times, now Vanity Fair’s fashion/style director). Behind the group are a selection of artist Mo McDermott’s signature painted wooden tree sculptures.

Laroche, who had worked at Elizabeth Arden for five years before taking up with rock & roll when he was recruited by Brian Duffy for the cover of David Bowie’s 1973 album Aladdin Sane, engaged Willie Christie for the May 74 session for a potential magazine feature.

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BeatBooks 56: Burroughs

Feb 10th, 2011

//Front cover photo by Harriet Crowther.//

A brown envelope I’m always glad to receive is that containing the latest BeatBooks catalogue.

Each quarter the arrival of the 8″ x 6″ booklet soon results in the tapping out of the url of the online order form for Andrew Sclanders’ site.

And the catalogues are treasurable in their own right.

Over the last decade or so Sclanders has carved out a niche for BeatBooks as collector central for all publications – literary, musical, graphic – springing from “beat” and moving through the counterculture and punk to the outer reaches of the avant-garde.

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