Paul Gorman is…

Judy Nylon in McLaren’s Smoking Boy shirt with Nick Kent in Granny’s and Brian James in leathers, inside The Roxy 1977

Jun 2nd, 2017

//From left: Kent, James and Nylon. Please advise if you are the photographer or know their identity//

Artist/thinker Judy Nylon has sent me this great shot taken at London punk haven The Roxy in the spring of 1977.

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Jordan Mooney remembers David ‘Piggy’ Worth and Patrick Lichfield’s 50s photoshoot for The Beatles Rock ‘N’ Roll Music

Oct 28th, 2016
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//Jordan Mooney and David “Piggy” Worth. From photo by Patrick Lichfield, 1976//

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//As they appeared in the Parlophone full-page advert for The Beatles compilation Rock “n”Roll Muisc, New Musical Express, June 26, 1976//

“He was a man full of wit and charm who always had an eye for new and exciting things. His special characteristics were kindness and forethought”

Jordan Mooney, 2016 

Following my recent blogs on the life of the late fashion model David “Piggy” Worth, here is a gem: Sex and Seditionaries superstar Jordan Mooney recalls her friend and in particular the time Worth urged her to join him in a 50s photoshoot by royal photographer Patrick Lichfield.

This was used for an advert and poster promoting Rock ‘N’ Roll Music, a compilation of previously released cover versions recorded by The Beatles between 1962 and 1970.

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Rabble-rousing Caroline Coon, grim-faced editors and Eric The Tramp: Inside Oz and the obscenity trial with Joe Stevens

Jul 9th, 2016
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//Activist/artist Caroline Coon leads protests outside the Central Criminal Court during the Oz trial, summer 1971. Photo: Joe Stevens. No reproduction without permission //

Photographer Joe Stevens has dug deep into his archive for these three gems from his time with the underground press in London in the early 70s.

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//Oz editors (from left) Jim Anderson, Richard Neville and the late Felix Dennis in serious discussion during the trial, 1971. Photo: Joe Stevens. No reproduction without permission//

New Yorker Stevens had already made a name for himself at radical weekly The East Village Other before pitching up in London and contributing to International Times, Oz and Friends (which changed into Frendz in 1971). Later Stevens moved on to the music press and in particular New Musical Express, where he was often partnered with the likes of Charles Shaar Murray (ex-Oz) and Nick Kent (ex-Frendz).

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‘Don’t look over your shoulder, but the Sex Pistols are coming’: 40th anniversary of their first review

Feb 12th, 2016

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Today is the 40th anniversary of the gig at central London venue The Marquee by the Sex Pistols which generated their first substantial media coverage, a prescient 200-word review by Neil Spencer on page 31 of the February 21, 1976 issue of the New Musical Express.

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Talking Punk London: In the City 1975-78 on Gary Crowley’s Soho Radio show this afternoon

Feb 9th, 2016

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This afternoon I’m the guest on DJ Gary Crowley’s show on London-based digital station Soho Radio.

I’ll be talking about Punk London: In The City 1975-78 – my map collaboration with Herb Lester Associates which is published on Friday (February 12) – and also playing a highly personal selection of songs in the spirit of the project where we aim to sidestep the cliches and show another side to the oft-told punk story.

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Modernize your old culture! Be up to date! Eyes For Blowing Up Bridges installation well underway

Sep 23rd, 2015

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DÉTOURNÉD PAINTING

Intended for the public. Easy reading

Collectors and museums,
be modern
If you have old paintings,
do not despair.
Keep your memories
But detourne them
So they correspond to your time
Why reject the old [paintings]
If one can modernize them?
With a few brushstrokes
Modernize your old culture
Be up to date
and distinguished at the same time
Painting is over
Better give it the final blow
Detourne
Long live painting

Asger Jorn, exhibition catalogue, Galerie Rive Gauche, Paris, May 1959. Translation: Young Kim.

Among the pertinent exhibits of our forthcoming show Eyes For Blowing Up Bridges is the statement disavowing traditional approaches to artistic creation made by the Danish artist and writer Asger Jorn in the late 50s.

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Before Wire and The Motors, The Snakes: My part in their punk rock obscurity

Nov 3rd, 2013

//Richard Wernham, Nick Garvey, Robert Gotobed, Rob Smith on the front cover of Teenage Head/Lights Out by The Snakes, Dynamo Records, 1976//

I went to a good school (it was approved, as my first editor would have it in the late 70s. You had to be there).

I was taken on as a scholarship boy, one who showed enough promise for the fees to be paid by the council.

But I was lazy, not as bright as I made out, unhappy, an under-achiever. Aside from winning the cross-country race when I was 14, my life there was almost entirely undistinguished, so preoccupied was I with music, clothes and girls. I had pretensions to vast knowledge in all three areas undercut by lack of experience in the latter regard.

//Booklet with Quadrophenia, an album about "a cat with four personalities" according to me, 1973//

//School report 1975: "If Paul is as familiar with DG Mackean's Introduction To Biology as he is with the NME, he will pass his O-Level. As it is, he isn't, so I fear he won't." And I didn't//

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