Paul Gorman is…

Sartorial Style on Saturday: Talking about The Face, in conversation with Mark Powell, Samurai rogues + merchant dandies, Adam Murray on North, Roy Strong’s wardrobe and real men DO wear pink!

Mar 15th, 2017

//I’ll be in conversation with Soho tailor Mark Powell at 2pm. Photo: Mark Powell//

//And talking about The Face from 3pm. This issue: Clinton McKenzie by Jamie Morgan/Ray Petri (Buffalo), June 1985 //

Sartorial Style is on this Saturday at the V&A and looks to be a humdinger.

The day of talks, q&as and presentations considers centuries of male style and elegance and also explores contemporary men’s fashion, bringing together curators, academics, photographers, writers and designers.

Sartorial Style kicks off with Real Men DO Wear Pink!, an investigation into masculine style up until 1800 by Susan North, the V&A’s curator of 17th & 18th Century fashion.

//Sir Roy Strong at the V&A, May 20, 1987. Photo: Peter Dazeley/Getty//

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Talking about Legacy: The story of The Face at ModMag 2016

Sep 16th, 2016

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Apologies for not posting for a while; I am currently focusing energies on my book Legacy: The story of The Face, which is published by Thames & Hudson in autumn 2017.

Launched in 1980 by print publishing pioneer Nick Logan – the editor of the NME during its ’70s glory years, the man who also founded Smash Hits, Arena, Arena Homme Plus, Frank and DeluxeThe Face magazine brought the news on the dizzying developments of popular culture for two decades.

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Preview of an exhibition: Postmodernism at the V&A

Aug 30th, 2011

Grace Jones maternity dress 1979 © Jean-Paul Goude.

Here is a selection of images from the V&A’s forthcoming exhibition Postmodernism: Style and Subversion 1970-1990. In pursuit of this slippery-to-define movement, curators Glenn Adamson and Jane Pavitt have settled on the defining principles of quotation and bricolage (assemblage from diverse elements).

As a result they have mixed and matched disciplines, categories and scale in their line-up of 250 exhibits, ranging from a reconstruction of Hans Hollein’s 1980 Venice Biennale facade The Presence Of The Past to graphics for record sleeves by Barney Bubbles, Neville Brody and Peter Saville.

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