//Photo: Tom Sheehan Collection//

As an addendum to my recent post about the staging of the very special late night London concert given by Ian Dury’s art-rock ensemble Kilburn & The High Roads in 1974, here’s the badge commissioned by manager the late Tommy Roberts to flag up the concurrent release of the group’s single Rough Kids.

Then a neglected pop promotional medium – badges were considered kids’ stuff; the sole prominent champion was Barney Bubbles, who produced a range to go with his branding of space rockers Hawkwind and pub-rock outfit Chilli Willi And The Red Hot Peppers – the pre-punk barbed wire logo button was conceived and executed by Simon Haynes, designer of the ambitious stage set for the Kilburns’ gig at the King’s Road Theatre.

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Tags: Dawn, Handsome, Humphrey Ocean, Ian Dury, Kilburn & The High Roads, Let It Rock, Pye, Roberta Bayley, Rough KIds, SEX, Sex Pistols, Simon Haynes, Will Birch

//Pages 108-111, The Word, August 2012.//

Out later this week, the final issue of The Word marks a significant staging post in the story of magazine publishing in the digital age.

Champions of the written word and intelligent discourse about popular culture, the editorial team headed by veteran double-act Mark Ellen and David Hepworth have assembled a fine last edition in which I’m stoked to be included, with an extract from Mr Freedom about Tommy Roberts’ involvement in the mid-70s British music scene (including never-previously revealed details of Roberts’ loaning of rehearsal space to the nascent Sex Pistols, the burglary of his shop City Lights Studio by members of the group and Malcolm McLaren’s interest in managing Ian Dury).

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Tags: David Hepworth, Ian Dury, Mark Ellen, Rough KIds, Sex Pistols, The Word