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Practical Styling: Previously unpublished photos of the shop of the 80s

Apr 30th, 2013

//An early 80s window display by Simon Haynes: Geometrically arranged brightly coloured platforms and ladders//

//This giant "toy" portcullis was produced by Haynes for Practical Styling in the mid-80s//

//Haynes' neo-classical backdrop for another mid-80s display//

These photographs from the archive of artist/set designer Simon Haynes convey the scope and ambition of the great 80s British independent retail outlet Practical Styling, operated by Paul Jones and Tommy Roberts on the ground floor and basement of London’s brutalist CentrePoint building.

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Rough Kids badge for Kilburn And The High Road (sic)

Apr 24th, 2013

//Photo: Tom Sheehan Collection//

As an addendum to my recent post about the staging of the very special late night London concert given by Ian Dury’s art-rock ensemble Kilburn & The High Roads in 1974, here’s the badge commissioned by manager the late Tommy Roberts to flag up the concurrent release of the group’s single Rough Kids.

Then a neglected pop promotional medium – badges were considered kids’ stuff; the sole prominent champion was Barney Bubbles, who produced a range to go with his branding of space rockers Hawkwind and pub-rock outfit Chilli Willi And The Red Hot Peppers – the pre-punk barbed wire logo button was conceived and executed by Simon Haynes, designer of the ambitious stage set for the Kilburns’ gig at the King’s Road Theatre.

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Ten Sitting Rooms at the ICA, November 1-8 1970: Vaughan Grylls, Elizabeth Harrison, Simon Haynes, Patrick Hughes, Carol Joseph, Bruce Lacey, Diane Livey, Andrew Logan, Marlene Raybould + Gerard Wilson

Apr 21st, 2013

“It isn’t so much what’s on the table that matters, as what’s on the chairs”

Jonathan Swift, from a letter to his friend Esther Johnson, 1711

//Simon Haynes in his ICA sitting room, 1970. Source publication: Unknown//

Ten Sitting Rooms was the title of a group exhibition curated by Jasia Reichardt at London’s Institute of Contemporary Arts in 1970. She organised a budget of £100 for each artist and gave them the brief of making a sitting room in spaces of either 15 x 18 feet or 12 x 24 feet.

I was alerted to the show’s existence by participant Simon Haynes, whose work I have been featuring here. Haynes’ Pop environment, which was produced in collaboration with his wife Sue, developed the themes and materials they used in the boardroom interior and furniture created earlier that year for Trevor Myles’ and Tommy Roberts’ boutique Mr Freedom at 430 King’s Road.

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Another of Mr Freedom’s ‘monstrous oddities’: Sue + Simon Haynes’ giant blue fun-fur gorilla

Mar 18th, 2013

//Mirabelle, May 2, 1970//

From the archive of the late Tommy Roberts, this image from British teen fashion magazine Mirabelle shows a particularly outré commission from fashion’s master of flamboyant retailing: a 7ft high rendition of a King Kong-style gorilla in blue fun fur created by the design team Sue and Simon Haynes.

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Graphics: Simon Haynes’ designs for City Lights Studio 1972

Mar 11th, 2013

//Swingtag, printed card, 4" x 2", 1972//

Artist/designer Simon Haynes has allowed me access to some of the treasures in his archive. Over the next few weeks I’ll be dipping into it and presenting a selection of artworks, display items, stage sets and graphics he has created over the years.

//Design on silk swatch for fabric for shop interior fittings, 1972//

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The legendary Harold The Ted + one of Mr Freedom’s ‘monstrous oddities’

Jan 30th, 2013

//Harold Harris with 10ft tall display item designed by Rod Stokes, Mr Freedom, 1971. Photo courtesy Andrew Greaves.//

Something of a legend in 70s British boutique circles, here is Harold The Ted in all his glory accompanying one of the extravagant display items at Mr Freedom in Kensington Church Street: a 10 foot tall cut-out representation of a glowering boy scout made by Electric Colour Company’s Rod Stokes.

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