The new issue of international interiors magazine apartamento includes my feature about British artist Duggie Fields and his extraordinary mansion flat in inner west London neighbourhood Earl’s Court.
Earl’s Court Elegance: My piece about British artist Duggie Fields’ 50 years at his amazing abode in apartamento #21
Apr 27th, 2018
For Jim Walrod – ‘Decoration is the danger, function is the idea’: The On 1st experiment in conceptual art retailing
Sep 27th, 2017
** This post is dedicated to the New York design thinker and doer Jim Walrod, who has passed away. Just a couple of weeks ago I mentioned my intention to post about On 1st to Jim over dinner. Of course, he knew about the store but was excited to see what fresh info I might have turned up. I’ll write about Jim when I have collected my thoughts; wherever he is, I am sure Jim will join us all in the necessary proclamation: Fuck Trump**
//At the entrance to 1159 1st Avenue at 63rd was Sven Lukin’s two-tonne illuminated sign. Photo: Bert Stern//
//On 1st interior including displays of Roy Lichtenstein wallpaper and Gerald Laing plates. Photo: Bert Stern//
In conversation this summer, British artist Duggie Fields revealed to me that, during a sojourn in the US in 1968, he had been in line to work at photographer Bert Stern’s “architecturally mind-blowing” art store/publishing house On 1st in Manhattan’s east side.
A bastion of splendid non-conformity: Brian Griffin’s photos of Duggie Fields at home in the late 70s
Aug 18th, 2017
//Duggie Fields at home, late 1970s. © Brian Griffin. No reproduction without permission//
//Duggie Fields’ apartment, late 1970s. © Brian Griffin. No reproduction without permission//
Among my current projects is an article for Apartamento about the great British artist Duggie Fields and his flat in London’s Earl’s Court.
Michael Joseph’s 1971 ‘orgy’ shoot: Journey from Fernet-Branca billboard ad – starring Judy Nylon, Gala Pinion, Brent Sherwood, David ‘Piggy’ Worth et al – to covers of 90s/00s funk compilations
Nov 13th, 2016
//The Michael Joseph image which was to be central to the 1971 Fernet-Branca campaign was featured in Dave Saunders’ survey Sex In Advertising, published by Batsford Books in 1996//
//Front, Funk Spectrum, BBE Records, 1999. Photo: Michael Joseph//
//Back, Funk Spectrum, BBE, 1999. Photo: Michael Joseph//
In 1971 the great advertising director and photographer Michael Joseph was commissioned to shoot a billboard campaign for the Italian digestif Fernet-Branca.
When Charlie met Malcolm
Jan 25th, 2011
//Gillett + McLaren, 1983.//
Year-ends and beginnings naturally bring a sense of loss, of time passed and experiences weighed.
For me, 2010 will always mark the deaths of two individuals of personal import and also of lasting significance to our culture: Charlie Gillett and Malcolm McLaren.
These apparently disparate individuals – Gillett 68 and McLaren 64 at their time of passing on, respectively, March 17 and April 8 – shared several characteristics, not least idiosyncratic and uncompromising viewpoints and an abiding interest in bringing vanguard music into the mainstream.
Charlie was among folk and popular music’s most prominent enthusiasts – though he never liked the phrase, it is his achievement that “world music” entered western lives – and, as art consultant Bernd Wurlitzer wrote in 2008: “Malcolm McLaren is and has been an artist in the purest sense of the word for his entire adult life.”
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