Paul Gorman is…

Long-awaited monograph Derek Boshier: Rethink/Re-entry to be published by Thames & Hudson in October

Jun 19th, 2015
T&H Catalogue - Rethink:Re-entry copy

//From Thames & Hudson’s July-December 2015 catalogue//

“As an artist Derek Boshier has never lost his sense of wonder at the world” – David Hockney

The publication date of Derek Boshier: Rethink/Re-entry – the monograph of the great British artist I have edited – is confirmed as October 5.

Published by Thames & Hudson with a preface by David Hockney, Rethink/Re-entry contains 300-plus illustrations, from student exercises in the mid-50s to current works including the cover, a new portrait of Hockney and chapter openers especially designed by Boshier for the project.

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September 13: Joe Stevens at his snarliest

Aug 14th, 2014

//Sid Vicious, Johnny Rotten (in Seditionaries Elliot tartan suit and Anarchy flag/leather mask t-shirt) and Paul Cook of the Sex Pistols relax during a soundcheck before their performance at Randy’s Rodeo, San Atonio, Texas on January 8, 1978. Less than a week later the line-up played its final show together in San Francisco. Photo: Joe Stevens//

Lucky for some. Photographer, raconteur, wit and self-confessed exhibitionist Joe Stevens will be talking about and presenting a selection of his 70s Brit/Punk photos at Sonny’s Tavern in Dover, New Hampshire, on September 13.

“Attendees are encouraged to affect their snarliest behaviour,” says Stevens.

More details here.

This is from the January 8 show at Randy’s:

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Derek Boshier: David Bowie + The Clash at Pallant House this summer

May 2nd, 2012

//Sketches for Lodger gatefold cover, 1979.//

//Front, Clash 2nd Songbook, Music Sales Ltd, 1978. 12" x 9", 60pp (inc covers).//

Artist Derek Boshier’s practice is marked by his engagement with contemporary culture; this has been a consistent aspect of his work since the earliest days of the British Pop movement.

When popular music has invigorated the wider world, Boshier has been present, incorporating Buddy Holly into his painting I Wonder What My Heroes Think Of The Space Race? in Ken Russell’s defining 1962 Monitor piece Pop Goes The Easel, and providing one of the most vivid visual documents of the punk and post-punk era, Clash 2nd Songbook.
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