It’s flattering to receive praise from a tastemaker of the standing of Gary Warnett, who has posted on his Gwarizm blog about my recent cult magazine chat with SHOWStudio editor Lou Stoppard for her Print project.
The new issue of Arena Homme + features my interview with publishing legend Nick Logan, who founded the men’s fashion magazine 20 years ago.
Keith Allen’s Breakfast Pirate Radio featuring ‘Northern Industrial Gay’ Jerry Arkwright + Boots Sex Dread
Tucked away in the June 1983 edition of The Face was this news story about a brave broadcasting venture, the scabrous and short-lived Breakfast Pirate Radio.
Here is a selection of images from the V&A’s forthcoming exhibition Postmodernism: Style and Subversion 1970-1990. In pursuit of this slippery-to-define movement, curators Glenn Adamson and Jane Pavitt have settled on the defining principles of quotation and bricolage (assemblage from diverse elements).
As a result they have mixed and matched disciplines, categories and scale in their line-up of 250 exhibits, ranging from a reconstruction of Hans Hollein’s 1980 Venice Biennale facade The Presence Of The Past to graphics for record sleeves by Barney Bubbles, Neville Brody and Peter Saville.
As explored in In Their Own Write, the most important creative in the development of British print media in the latter half of the 20th Century was Nick Logan. Arguably his greatest contribution was via the launch of The Face in 1980.
This year-end review – “123 things to remember 1980 by” – was featured in issue 9, published 30 years ago.
Adopting the technique applied at Harpers & Queen by the magazine’s poster boy Peter York – who appears in this issue in three separate articles due to the recent publication of his tone-setting Style Wars – The 1980 Face Show inaugurated the lifestyle list-culture which dominates global media to this day.
It’s as fascinating for who it promulgated – who can remember the name of Bad Manners’ lead singer now? – as for that which it found hard to define.